Wanting

Petite Reverie is a contemporary lyrical solo composed by Rick Robertson that will appeal to pianists of all ages. Full of lush harmonies and a sweeping melody this piece will suit any occasion including church services and weddings.

August Sun, composed by Rick Robertson, is an upbeat lyrical solo for intermediates of all ages. This piece is part of the Souvenirs songbook.

Circle of Friends, by Rick Robertson, is a two-volume collection containing a total of 24 character pieces for piano in each of the major and minor keys (minus enharmonic equivalents), in a manner similar to the Prelude sets by Chopin, Rachmaninoff, and the like. The sequence as published is arranged in a rough order of difficulty, allowing for convenience in page turns here and there.

The title alludes as well to the familiar “Circle of Keys’. As for “friends”, each piece is dedicated to a close friend, colleague, or student. A few pieces in Volume One are at the early intermediate level, while Volume Two is solidly at the intermediate level with a steady trajectory of more demanding musical concepts.

By the Frozen Mill Pond by Gary Johnston is a wistful piano solo for early intermediates of all ages. This elegant, introspective melody, conjures up images of a frosty day on a frozen pond.

Long Goodbye is a sentimental contemporary piano solo by Lisa Frederick. Ideal for intermediates and maturing players of all ages, this heartfelt piece full of longing will serve as a great introduction to rubato and expressive playing.

Drifting, composed by Lisa Shoemaker, is a moody, minor-key meandering piece that provides intermediates ample opportunity to develop smooth, flowing left hand triplet patterns, as well as gain experience with the una corda pedal.

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,

Morning Mediation, composed by Chrissy Ricker, is an elegant and peaceful solo for intermediates. This piece is part of the Rhapsodies and Reveries Volume Two songbook.

New Horizons songbook features contemporary lyrical piano solos composed by Jennifer Eklund that are ideal for intermediates of all ages.

Shadow Walker, composed by Jennifer Eklund, is a minor-key contemporary lyrical solo for intermediates. This piece provides a great opportunity for students to work on concepts like rubato, lyrical phrasing, and flowing left-hand patterns.

Intermezzo in B, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a maturing pianist. It gives the growing performer experience in a less-frequently encountered key, and could be used as wedding or service music as well.

Rainbow’s Arc, composed by Rick Robertson, is an elegant intermediate level lyrical solo. This piece is part of the Kaleidoscope Volume 2 songbook.

Wistfully, by Rick Robertson, is an intermediate level lyrical solo. It is written in a “romantic movie” style, and will make a nice brief recital solo, or as a musical interlude in a worship service.

Summer Evening, composed by Rick Robertson, is an early intermediate level solo in a light-jazz lyrical style. It is highly patterned, easily learned, and makes an excellent performance choice.

No Worries is an uplifting lyrical solo composed by Lisa Donovan Lukas that will delight intermediates of all ages. This piece is part of the Journeys songbook.

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Contentment, composed by Rick Robertson, is a lyrical solo for early intermediates with a mature sound. Long pedal effects add to the atmosphere.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.