Theory Time® Reproducible Series: High School 4A

Mood Swings is an evocative collection of twelve character pieces composed by Jenny Walker. These contemporary solos for late-intermediate and advanced pianists provide a delightful landscape of harmonies and contemporary stylings that span a variety of genres.

Whip-poor-will Dance is a slow ragtime-style solo written in 1921 by Joe Jordan and featured in Season 2 of the HBO® series “Boardwalk Empire.” This simplified elegant arrangement by Jennifer Eklund is ideal for intermediates of all ages.

Piano Pronto: Coda offers a delightful mix of twenty-five well-known classical melodies with music history included. This book can be used as a transition out of traditional method books or as a supplemental resource for intermediates of all ages. Arrangements by Jennifer Eklund with historical notes covering the major periods of music history and anecdotes about each work by Meagan Mason.

It’s Just Right, composed by Ryan Chesser, is an uplifting lyrical solo for right-hand only. This selection is part of the Winds of Change songbook.

This light and airy intermediate-level piece by Sara Tomlinson is sure to delight students. The syncopation in the middle section will nicely challenge the student. The ending is an improvisation of the main theme and a fun way to finish the piece.

Star City Solos is a collection of dynamic character pieces by Sarah Reaser O’Brien, written in homage of her hometown of Roanoke, Virginia. This delightful and varied set will be enjoyed by intermediates of all ages.

Praise to the Lord is a collection of virtuosic sacred solos arranged by Christina Mathis. Whether for church offertories, recitals, or casual enjoyment, these showcase-style arrangements will delight your fingers and audiences!

Sailing is an uplifting contemporary lyrical solo for intermediates that is also part of the New Horizons Songbook. Music by Jennifer Eklund.

God Rest Ye Merry Gentlemen arranged in a lyrical contemporary style for intermediates. Part of Christmas Classics Volume 1 songbook by Jennifer Eklund.

In dulci jubilo (Good Christian Men, Rejoice) elegantly arranged with lush harmonies for intermediates by Barbara Becker. This holiday selection is part of the More Scenes from Christmas songbook.

January is a high-energy showcase solo with an uplifting principle theme, dramatic middle section, and flashy ending. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

Stately march by Sir Edward Elgar (1857 - 1934), Pomp and Circumstance March No. 1 (Trio). Often used as a graduation march and is traditionally the finale at the Last Night of the Proms. This arrangement by Gary Johnston is written in a homophonic chorale style suitable for most formal occasions.

At the Edge by Amanda W. Smith is a wistful lyrical solo for intermediate pianists of any age. This piece offers a wonderful opportunity to work on rubato and expressive playing.

Clair de lune, by Claude Debussy, arranged for early intermediate piano by Jennifer Eklund. This version is an ideal starter version for young pianists with smaller hands who want to play all the sections of this iconic piece, but aren’t ready for all the octaves and thick chords from the original.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

A serene and elegant piano solo interpretation of J.S. Bach’s iconic Prelude from Cello Suite No. 1. This arrangement by Jennifer Eklund will allow intermediates and up to work on layered voices, lyrical phrasing, and rubato.

May is a late intermediate pop-style solo with a broken chord accompaniment and singing contemporary melodic line. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

March is a gentle lullaby for intermediate pianists by Sarah Reaser O’Brien, NCTM. The melodic line is brought to life by a hauntingly complex, yet very accessible, harmonic accompaniment which never requires stretching more than an octave.