New Horizons

Dreamweaver is a collection of fourteen contemporary lyrical solos composed by Jennifer Eklund for intermediates and above. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

UPDATE: The e-book edition of this songbook was updated in September of 2024 with new engravings and some minor corrections to courtesy accidentals and rhythmic notations.

Need music for a wedding, a party, church offertory, or any occasion where beautiful background music is a necessity? This is your new go-to gig book! Let There be Music features 45 performance-ready pieces by Jennifer Eklund that will suit any occasion. Selections include classical favorites, contemporary lyrical pieces, and sacred works. Available as a convenient eBook so you can stop lugging music books around.

Impressions is a suite of contemporary lyrical solos by Jennifer Eklund that will be a hit with intermediates of all ages.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Be Yourself is a contemporary lyrical solo by Lisa Donovan Lukas. This uplifting selection is ideal for intermediates of all ages.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Ruby Skies is an uplifting contemporary lyrical solo, for intermediates and beyond, composed by Jennifer Eklund. This solo makes for a lovely recital selection or as music in church services. This piece is part of the “Sounds of the Spirit” songbook.

Something Borrowed, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Vanished is a haunting, minor key, contemporary lyrical piano solo for intermediates. Music by Jennifer Eklund and part of the New Horizons songbook.

Something Else, by British composer Joanne Griffiths, has a gently meandering melody over an accompaniment of two patterns, two chords and two time signatures. A little quirky lilt changing from 3/4 to 4/4 time will keep your students counting.

Something More is an uplifting contemporary lyrical solo for intermediates by British composer Joanne Griffiths.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

When Irish Eyes are Smiling in a contemporary lyrical style ideal for intermediates of all ages. Arranged by Jennifer Eklund and part of the Dreamweaver songbook.

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Where There Is Love, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It has a brief contrasting section, bringing the first theme to a climax before it subsides. It is also suitable for worship use.