Thick chords

Were You There?, a traditional African-American spiritual, arranged for late intermediates by Sandra Zylstra.

Country Gardens is a traditional English folk tune arranged by Sandra Zylstra arranged as a duet for intermediates.

First Flower, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a great exercise to introduce students to shifting meters and rubato. Cover photography from Back Bay, Newport Beach by Ron Levy.

A modern lyrical spin on the third movement of the Spring concerto from Vivaldi’s “The Four Seasons” arranged by Jennifer Eklund. This advanced piano solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

This hymn expresses the suffering Christ went through on the cross and goes to the hope we have because of his sacrifice. Stricken, Smitten and Afflicted with its beautiful minor melody is arranged here by Sandra Zylstra for intermediates.

Lift Every Voice and Sing, arranged by Jennifer Eklund, in a lyrical style for intermediates and up.

Kum-ba-yah, is a beloved African-American folk hymn. This arrangement by Rick Robertson is given a “variation” treatment at the intermediate level suitable for recital, Black History presentations, or worship services.

Glory & Praise, is a sacred medley that combines To God Be the Glory, Praise Him! Praise Him!, and Praise to the Lord, the Almighty. This arrangement by Sandra Zylstra is ideal for intermediates and up.

Christ the Lord Is Risen Today in a majestic setting arranged by Sarah Reaser O’Brien. This sacred Easter classic is full of lush modern harmonies and will be enjoyed by late intermediates of all ages. Includes a full sheet of lyrics with all verses.

The Day of Resurrection!, in a jubilant setting arranged by Sarah Reaser O’Brien. This Easter classic is full of lush modern harmonies and will be enjoyed by intermediates of all ages. Includes a full sheet of lyrics with all verses.

Be Thou My Vision in an elegant setting arranged by Sarah Reaser O’Brien. This sacred classic is full of lush modern harmonies and will be enjoyed by late intermediates of all ages. Includes a full sheet of lyrics with all verses.

What a Friend We Have in Jesus in a peaceful setting arranged by Sarah Reaser O’Brien. This sacred classic is full of lush modern harmonies and will be enjoyed by intermediates of all ages. Includes a full sheet of lyrics with all three verses.

The Birthday of a King, a sacred holiday solo, arranged for late intermediates by Sandra Zylstra.

Ash Grove, a traditional Welsh melody and hymn of Thanksgiving, arranged for intermediates by Sandra Zylstra.

His Eye is on the Sparrow, arranged as a restful solo for intermediates by Jennifer Eklund. This sacred classic includes a hint of the second movement of Beethoven’s Pathetique Sonata.

O, Store Gun, mingled the Largo movement from Dvorak’s Symphony No. 9, arranged in a contemporary lyrical style for late intermediates by Jennifer Eklund.

Come, Thou Fount of Every Blessing, arranged by Lisa Shoemaker, covers a range of emotions from joyful exuberance to gentle thoughtfulness. The energetic syncopation makes this a treat for students and church musicians alike!

What Wondrous Love is This? arranged in a contemporary, light jazz style by Debbie Center, enhancing the hauntingly beautiful melody of this cherished hymn.

Draw Me Nearer in a lush virtuosic setting arranged by Christina Mathis. This sacred favorite is ideal for advanced pianists.

Come, Thou Fount of Every Blessing in a lush virtuosic setting arranged by Christina Mathis. This sacred favorite is ideal for advanced pianists.

Rockin’, is a bluesy showcase solo for early intermediates composed by Chrissy Ricker. This piece is part of the Perfect Patterns songbook.

Journey, is a sentimental lyrical waltz composed by Lisa Donovan Lukas for intermediates. This piece is part of the Journey’s songbook.

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

A modern twist on Erik Satie’s iconic Gymnopedie No. 1 arranged for intermediate piano by Jennifer Eklund.