Journey, is a sentimental lyrical waltz composed by Lisa Donovan Lukas for intermediates. This piece is part of the Journey’s songbook.
From My Heart to Yours is a jubilant lyrical solo composed by Lisa Donovan Lukas that will delight intermediates of all ages. This piece is part of the Journeys songbook.
Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.
And We Rise, composed by Rick Robertson is a contemporary lyrical solo for intermediates. It features a catchy tune supported by traditional accompaniment patterns, preparing the player for more advanced literature. It is also useful as service music.
Simple Love Song, composed by Ron Levy, is an elegant solo that will delight intermediates of all ages.
O Sacred Head Now Wounded, the classic Passion hymn, arranged by Robyn Fehrenbacher. This reflective minor key piece is perfect for preludes, offertories, and communion church services year round, as well as during the season of Lent and Easter.
Like You, Lord! is an upbeat contemporary worship solo composed by Chrisanne Nahum. This piece is ideal for intermediates and includes lyrics for congregational singing.
Country Gardens is a traditional English folk tune arranged by Sandra Zylstra arranged as a duet for intermediates.
Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.
Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.
Glory & Praise, is a sacred medley that combines To God Be the Glory, Praise Him! Praise Him!, and Praise to the Lord, the Almighty. This arrangement by Sandra Zylstra is ideal for intermediates and up.
Elegie, composed by Rick Robertson, is an intermediate solo with a mature sound. It wanders around in some unrelated keys in the manner of Shostakovich, and full chords and octaves add to the overall picture.
The In Between, is a lyrically melancholy composition by Christina Mathis, that will be a beautiful addition to your studio library. Includes a simplified version for intermediates and the original full version for late intermediate level pianists.
Triumphant, composed by Jennifer Eklund, is an uplifting pop-style solo for late intermediates.
Guilty as Charged is a light-hearted contemporary lyrical solo ideal for late intermediate pianists. Words and music by Jennifer Eklund and part of the Dreamweaver songbook.
Ballad, composed by Rick Robertson, is a late intermediate solo that is suitable for recitals or festivals. It is reminiscent of romantic movie music and builds to a large climax before ending quietly.
A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!
This fun ragtime piece, composed by Chrissy Ricker, is a playful nod to Grieg’s “In the Hall of the Mountain King.” A perfect early intermediate showcase solo for Halloween, or any time of year!
Sideways Blues is a strange blues by Stacy Fahrion based on an eight-note scale containing these notes: E-F-G-A#-B-C-C#-D-E. Since it’s based only on that scale, most of the chords are not typical blues chords, although it follows a typical 12-bar structure. Students have the option to repeat measures 13-24 and improvise with the right hand over the chords that are already there.
This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.
Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!
This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.
A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.
Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.