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April is an intermediate jazz solo with a leisurely, easygoing feel. The syncopated rhythmic accompaniment is offset by a straight-eighth melody with built-in improvisational bits. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

Dog Days songbook is a set of intermediate showcase solos by Jennifer Eklund that chronicles a day in the life of her rescue dogs.

In the Groove is a fun-filled collection of thirteen showcase solos composed by Lisa Frederick. Ideally suited for early intermediates and beyond, these engaging pieces cover a wide variety of genres including jazz, blues, lyrical, boogie-woogie, and more!

Winds of Change is a collection of twelve showcase solos composed by Ryan Chesser. These showcase solos are ideal for intermediates of all ages.

Rhapsodies and Reveries Volume Two features eleven contemporary lyrical solos for intermediate pianists of all ages composed by Chrissy Ricker. Inspired by the sights and sounds of nature, these solos range in style from quiet and reflective to powerful and dramatic.

Have video game lovers in your studio? Of course you do! Let’s Quest Volume 4 is a collection of eight video game inspired showcase solos and two evenly-leveled duets composed by Chrissy Ricker, that will delight intermediates of all ages in your studio!

Walkin’ the Dawg is a bright jazzy swing piece with a bluesy feel by Gary Johnston. Great introduction to learning walking bass lines for the intermediate pianist.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Chaos by Lisa Frederick is the perfect showcase solo piece for your students who are begging for fast and flashy minor-key pieces. Ideal for late intermediates of all ages, this will be a hit at your next recital!

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

Learn about Beethoven’s life while playing finely-crafted arrangements of his most popular melodies. Music and materials by Piano Pronto author Jennifer Eklund.

Learn about Mozart’s life while playing finely-crafted arrangements of his most popular melodies. Music and materials by Piano Pronto author Jennifer Eklund.

Sky Castles songbook features eleven charming contemporary lyrical solos for intermediates and beyond. With its harmonic elegance this collection will be a staple that students of all ages can grow with as they progress through lessons.

Fourteen imaginative piano duets showcasing the church modes for one piano, four hands. Each of the seven modes has two pieces (late elementary/early intermediate and late intermediate/early advanced). Perfect for recitals, group lessons, piano parties, and for involving students who enjoy playing duets. Ideal opportunity to learn about modes and play duets at the same time!

Lyric Moments is a collection of thirteen lyrical pieces, composed by Rick Robertson, in different styles to give the performer experience in melodic shaping, tone color, and touch. Styles represented include Romantic lyricism, lush Impressionistic harmony, and even light jazz.

Kaleidoscope Volume 2 is an evocative collection of lyrical showcase solos composed by Rick Robertson. These elegant solos will allow advancing early intermediates to work on musicality and expressive playing via works that are stage-ready and appropriate for all age groups.

Viva Mexico, composed by Barbara Becker, is a suite of showcase solos for early intermediates and up. These delightful pieces, full of character and lush harmonies will brighten your next recital or festival performance!

Rockin’ the Classics is a collection of ten pop, rock, and jazz inspired arrangements of well-known classical favorites by Chrissy Ricker. These fun and flashy intermediate level solos will excite students of all ages!

The highly-anticipated follow up in Chrissy Ricker’s Rock On series is here! This collection of nine pop & rock showcase solos will delight intermediates of all ages in your studio.

Rock On! Volume 3 features ten showcase-style pop, rock, and blues solos composed by Chrissy Ricker. Ideal for intermediates of all ages.

Journeys is an engaging collection of twelve contemporary solos by Lisa Donovan Lukas featuring an array of tonal centers and styles. These selections are ideal showcase pieces for intermediates of all ages.

Enjoy the Ride is a delightful collection of intermediate solos by Lisa Donovan Lukas featuring a variety of tonal centers and styles. These eleven selections are ideal for intermediates of all ages.

Circle of Friends, by Rick Robertson, is a two-volume collection containing a total of 24 character pieces for piano in each of the major and minor keys (minus enharmonic equivalents), in a manner similar to the Prelude sets by Chopin, Rachmaninoff, and the like. The sequence as published is arranged in a rough order of difficulty, allowing for convenience in page turns here and there.

The title alludes as well to the familiar “Circle of Keys’. As for “friends”, each piece is dedicated to a close friend, colleague, or student. A few pieces in Volume One are at the early intermediate level, while Volume Two is solidly at the intermediate level with a steady trajectory of more demanding musical concepts.

Circle of Friends, by Rick Robertson, is a two-volume collection containing a total of 24 character pieces for piano in each of the major and minor keys (minus enharmonic equivalents), in a manner similar to the Prelude sets by Chopin, Rachmaninoff, and the like. The sequence as published is arranged in a rough order of difficulty, allowing for convenience in page turns here and there.

The title alludes as well to the familiar “Circle of Keys’. As for “friends”, each piece is dedicated to a close friend, colleague, or student. A few pieces in Volume One are at the early intermediate level, while Volume Two is solidly at the intermediate level with a steady trajectory of more demanding musical concepts.