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Spiders In My Bed is a showcase piano solo by Canadian composer Lisa Frederick that is ideal for late beginners and early intermediates. It’s a light-hearted homage to our arachnid friends with a dash of Johannes Brahms!

Triple Threat is a fast and flashy showcase solo ideal for early intermediates of all ages. This triplet study will serve as a great finger strengthener sure to be a hit at your next recital! Part of the Spotlight Solos Plus songbook.

Scary Movie, by Rick Robertson is an early intermediate level showcase solo, inspired by the beloved “Ballade” by Burgmüller. In addition to being an excellent seasonal Halloween selection, it will help the young player develop technical skills, all wrapped up in less than a minute of fun!

Black Cat Boogie, composed by Rick Robertson, is an early-intermediate jazzy showcase solo in a Boogie-Woogie style. It is very effective in performance, and should be a hit on any recital program. It is purposefully written in G-flat major, and uses black-key pentatonic melodies.

Mischief, composed by Lisa Shoemaker, is fast & flashy showcase solo for early intermediates in irregular meters. This piece is part of the Musical Mosaics songbook.

The Chase is a fast and flashy showcase piano solo that is part of the Dog Days songbook. Music by Jennifer Eklund.

Creepy Critter Dance, composed by Paul Sweet, is a cheeky, creepy showcase solo for early intermediates. Spooky harmonies and upbeat patterns make it a great selection for Halloween recitals or any time of the year!

Midnight at the Manor, composed by Chrissy Ricker, is a minor-key evenly-leveled showcase duet for intermediates. This piece is part of the Let’s Quest Volume 4 songbook.

Prelude in E Minor, composed by Rick Robertson, is an intermediate level showcase solo in a neo-Baroque style. It is written in the style of Bach’s organ works as transcribed for piano by Ferruccio Busoni, and would make a good program opener for a developing pianist. Its minor key and somber sound also makes it suitable as a Halloween selection.

Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.

Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.

Tarantellas are always a student favorite, and this spritely one, composed by Lisa Shoemaker, is sure to make your intermediate students shine! This is a great piece to work on quick transitions between open and closed hand positions.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

Composer Stacy Fahrion interweaves Hickory Dickory Dock and snippets of For He’s a Jolly Good Fellow into this whimsically macabre solo that will delight late intermediates of all ages.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Tricks & Treats features eleven Halloween-themed showcase solos composed by Stacy Fahrion. Full of quirky harmonies, odd meters, and playful takes on folk melodies, these pieces will be a treat for intermediates of all ages at any time of the year!

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Midnight Bells Are Ringing, is a spooky spin on the traditional folk tune “Frere Jacques” arranged by Jennifer Eklund. This pieces provides ample opportunity to work on lyrical phrasing, balancing the hands, and working in various key signatures.

This fun ragtime piece, composed by Chrissy Ricker, is a playful nod to Grieg’s “In the Hall of the Mountain King.” A perfect early intermediate showcase solo for Halloween, or any time of year!

Skulls Chattering is a bluesy Halloween solo for early intermediates composed by Stacy Fahrion. This whimsically macabre solo will delight students of all ages!