Violin Concerto in A Minor

An elegant piano solo interpretation of the first movement of Vivaldi’s Violin Concerto in A Minor (RV. 356). This full-length arrangement by Jennifer Eklund will allow late intermediates and up to work on lyrical phrasing, dynamics, and rubato. The approximate run time of this solo is 4:00.

An elegant piano solo interpretation of the first movement of Vivaldi’s Violin Concerto in A Minor (RV. 356). This abridged arrangement by Jennifer Eklund will allow intermediates and up to work on lyrical phrasing, dynamics, and rubato. The approximate run time of this solo is 2:30.

The slow second movement theme from Mozart’s Piano Concerto No. 20, arranged for intermediates by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Mozart: Exploring His Life & Music songbook.

Piano Concerto No. 20 second movement theme by Mozart arranged as an intermediate solo piano by Jennifer Eklund. Part of the Piano Pronto: Finale method book.

A modern lyrical spin on J.S. Bach’s two-part Invention in A minor arranged by Jennifer Eklund. This intermediate solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.

Chopin’s Prelude in C Minor in a simplified version arranged by Jennifer Eklund that is ideal for pianists with smaller hands not yet ready to play the original. Part of the Piano Pronto: Movement 5 method book.

Vivaldi’s Spring Theme from The Four Seasons arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Movement 5 method book.

Contemporary showcase arrangements of themes from Tchaikovsky’s iconic Nutcracker ballet arranged by Lisa Donovan Lukas. This collection will be enjoyed by intermediates of all ages!

Fur Elise arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

March of the Toy Soldiers, from Tchaikovsky’s iconic Nutcracker ballet, arranged for early intermediates by Jennifer Eklund.

Schumann’s Traumerei arranged for intermediates by Jennifer Eklund. This arrangement stays true to the original, but modifies the large stretches. Part of the Piano Pronto: Finale method book.

The idea for this book came from listening to some of my favorite piano literature. Enchanted by the absolutely beautiful, lyrical melodies of Chopin’s Opus 28, I found myself wishing my own intermediate students could enjoy them now, and not just the handful of Preludes that are more accessible for students. As I edited these Preludes with intermediate hands and minds, it was my desire to preserve their full length, in the original keys, and with as much of Chopin’s original markings as possible. I hope you agree the result is a celebration of Chopin’s original work, but now accessible for the intermediate student!

Caprice by Nicole Paganini, arranged for intermediates by Jennifer Eklund. This piece is part of Piano Pronto: Movement 3 and includes a teacher duet part.

Stately march by Sir Edward Elgar (1857 - 1934), Pomp and Circumstance March No. 1 (Trio). Often used as a graduation march and is traditionally the finale at the Last Night of the Proms. This arrangement by Gary Johnston is written in a homophonic chorale style suitable for most formal occasions.

Moonlight Sonata arranged thoughtfully for intermediate level students of all ages. This version of Beethoven’s iconic melody, transposed to the key of E minor, is arranged by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Beethoven: Exploring His Life & Music songbook.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Pas de deux, from Tchaikovsky’s Nutcracker ballet, abridged and arranged as a lyrical intermediate piano solo by Jennifer Eklund.

A modern lyrical spin on the Winter concerto theme from Vivaldi’s “The Four Seasons” arranged by Jennifer Eklund. This intermediate solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.