Cookie Waltz

Isolation was written in early 2020 by Stacy Fahrion. This expressive intermediate piece begins and ends in 5/4, and features palindromic rhythms (rhythms that are the same backwards and forwards) and a gentle two against three polyrhythm in the middle section.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

Linguine Tarantella, by Rick Robertson, is an intermediate level showcase solo. Written in the style of the Neapolitan Tarantella, its exciting dynamic changes and a cascade of flying octaves at the end will make this a showstopper for recital or festival.

Wind Whirls, composed by Rick Robertson, is an early intermediate level showcase solo. Its passages divided between the hands give it a showy effect, with some interesting harmonies.

Nocturne in G Minor, composed by Rick Robertson, is an intermediate-level lyrical solo. It serves well as an introduction to the Romantic period, especially the music of Chopin. There is even a short cadenza-type passage near the end.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

Sky Castles, by Lisa Donovan Lukas, is a delightful, upbeat, lyrical showcase piece for the early intermediate pianist.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.

Tarantellas are always a student favorite, and this spritely one, composed by Lisa Shoemaker, is sure to make your intermediate students shine! This is a great piece to work on quick transitions between open and closed hand positions.

Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.

All aboard the Orient Express! This collection of imaginative and elegant solos, composed by Barbara Becker, will take your early intermediate students on a sonic tour around the world!

The Ocean’s Fury, by Rick Robertson is an intermediate to late intermediate showcase solo. Written in the style of a “concert etude,” a section of rapid alternating-hand passages contrasts with a more lyrical center section. This piece has the added benefit of being less difficult than it looks or sounds, and should be a “hit” for recitals and festivals.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

The Very Blue Danube, is an intermediate level jazzy remix of the famous Strauss waltz arranged by Chrissy Ricker. This piece is part of the Rockin’ the Classics songbook.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.