Intermezzo in B

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Sky Castles, by Lisa Donovan Lukas, is a delightful, upbeat, lyrical showcase piece for the early intermediate pianist.

This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Something Borrowed, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

Mood Swings is an evocative collection of twelve character pieces composed by Jenny Walker. These contemporary solos for late-intermediate and advanced pianists provide a delightful landscape of harmonies and contemporary stylings that span a variety of genres.

Intermezzo in E-Flat, composed by Rick Robertson, is an intermediate level lyrical Romantic solo suitable for students of all ages.

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.