Londonderry Air

Aloha Oe (Farewell to Thee), arranged in a lyrical style for late intermediate piano by Jennifer Eklund.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Blow the Wind Southerly is a traditional folk song from Northumberland, England arranged by Jenny Walker. Another familiar melody, “When the Boat Comes In” is combined with the main theme in the middle of the piece. The work tells the story of a woman desperately hoping for a southerly wind to blow her lover back home over the ocean to her. This is a variation-style piece going through several keys, suitable for the late-intermediate pianists.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Autrefois (In Olden Days), composed by Rick Robertson, is a late intermediate lyrical solo that is an appropriate repertoire piece for recitals, contests, and festivals. It recalls the Paris of the late nineteenth century, with its evocation of early Impressionism. This piece is part of the Kaleidoscope Volume 3 songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

Seaside, composed by Rick Robertson, is a late intermediate contemporary lyrical solo. With its gentle syncopation, it suggests a modern barcarolle.

Wistful Waters is a late-intermediate to early-advanced piano work composed by Travis Lohmann. It merges together minimalistic styles as well as elements of French Impressionism, while still focusing on lyrical phrasing and robust melodies. It is a wonderful work with a shimmering beginning, a vigorously emotional middle, and a tempestuous ending. Students will absolutely be enraptured by the ending cadenza. Teachers will enjoy instructing students on various techniques such as: hand-crossing, polyrhythms, rhythmic evenness, and even tremolo!