Song of the Northwoods Chickadees

Goldeneyes’ Farewell is a gorgeous impressionistic tribute to ten migrating Goldeneye ducks that Debbie Center photographed in front of her Minnesota lake home. Ideal for intermediate level pianists.

Lika’s Lullaby is a pensive, contemplative lyrical solo composed by Debbie Center. Full of rich harmonies and a lilting melody this piece is ideal for intermediates to work on rubato and expressive playing.

Three Eagles’ Spirit, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Promises of a New Day is an uplifting contemporary lyrical solo that celebrates the efervescent light of the sunrise. Composed by Debbie Center, this solo is ideal for intermediates of all ages.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Sonic Bouquet is collection of lyrically expressive piano solos for the budding intermediates through late advanced pianist. Each piece was written as a musical interpretation of a specific flower and encapsulates my love for music ranging from jazz, classical, and film music. I sincerely hope you enjoy learning and growing, playing these works. - Travis Lohmann

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.