Valse Parisienne

Mood Swings is an evocative collection of twelve character pieces composed by Jenny Walker. These contemporary solos for late-intermediate and advanced pianists provide a delightful landscape of harmonies and contemporary stylings that span a variety of genres.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.

Moonlight is a lyrical solo with a splash of Beethoven’s “Moonlight Sonata” throughout. This piece, composed by Chrissy Ricker, is ideal for intermediates and is part of the Let’s Quest Volume 3 songbook.

Nuit d’etoiles (Starry Night) by Rick Robertson is a late intermediate-level lyrical solo that will appeal to pianists of all ages, and is an excellent introduction to the Impressionist style. Includes glossary of French terms and music history lesson about the Impressionist era.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Summer Dance is an MTAC Composers Today award winning composition by Lisa Donovan Lukas. A light, jazzy, energetic contemporary solo, it is a perfect showcase piece for the late intermediate student of any age!

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow version, includes all sections of the original piece, is ideal for late intermediate and advanced level pianists.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Feel the energy and pulse of San Francisco with this set of six character pieces by Barbara Becker. Harmonically innovative showcase solos for intermediates of all ages!

Memories, by Rick Robertson is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It could also be used as wedding or service music.

Intermezzo in B Flat Minor, composed by Rick Robertson, is an late-intermediate level Romantic lyrical piano solo. It appeals to pianists of all ages, and is suitable for recital and audition use.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Portrait No.3 A Treasured Moment, is a late intermediate solo composed by Travis Lohmann, which pays homage to the Impressionistic colors of French composer Claude Debussy. A contemplative beginning with resonant and sonorous chords is a fantastic way to get students thinking about touch and tone color when performing. The increasingly more energetic middle section allows students to become more dexterous with rapid arpeggiated extended chords, as well as the evocative colors of the whole tone scale. The piece concludes with a distant call-back to the original main theme with jazz-influenced harmonies before having a triumphant send off of lush chords reminiscent of bells tolling far away.