Ah, Capella!

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Three Eagles’ Spirit, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Promises of a New Day is an uplifting contemporary lyrical solo that celebrates the efervescent light of the sunrise. Composed by Debbie Center, this solo is ideal for intermediates of all ages.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Lika’s Lullaby is a pensive, contemplative lyrical solo composed by Debbie Center. Full of rich harmonies and a lilting melody this piece is ideal for intermediates to work on rubato and expressive playing.

Londonderry Air (O, Danny Boy) arranged in a lyrical and up-tempo jazzy style for intermediates. Arranged by Jennifer Eklund.

Goldeneyes’ Farewell is a gorgeous impressionistic tribute to ten migrating Goldeneye ducks that Debbie Center photographed in front of her Minnesota lake home. Ideal for intermediate level pianists.

Song of the Northwoods Chickadees is a soothing, ambient lyrical composition by Debbie Center that features lilting bird calls throughout. This piece is ideal for intermediates of all ages.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Autrefois (In Olden Days), composed by Rick Robertson, is a late intermediate lyrical solo that is an appropriate repertoire piece for recitals, contests, and festivals. It recalls the Paris of the late nineteenth century, with its evocation of early Impressionism. This piece is part of the Kaleidoscope Volume 3 songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.