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Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.

Simply Sung, composed by Rick Robertson is an intermediate level solo in a neo-Romantic ambient style. The syncopated accompaniment adds a rocking motion to the right-hand melody. This piece, a favorite of the composer, can also be used in service playing or wedding ceremonies. This selection is part of the Souvenirs songbook.

Sky, composed by Chrissy Ricker, is an elegant lyrical solo for intermediates. This piece is part of the “Three Sketches in Blue” suite that is included in the Rhapsodies and Reveries Volume Two songbook.

Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.

Ocean, composed by Sara Tomlinson, is a showcase lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

Summer Evening, composed by Rick Robertson, is an early intermediate level solo in a light-jazz lyrical style. It is highly patterned, easily learned, and makes an excellent performance choice.

Something To Come Home To is a cozy and flowing intermediate level lyrical solo by British composer, Joanne Griffiths.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Reflection is a lyrical solo by Sara Tomlinson with a reflective quality. The piece is in 6/8 time in the key of A minor. The listener could easily get lost in the melody, which is supported by a hypnotic left-hand accompaniment.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Finding My Way, composed by Rick Robertson, is an intermediate-level reflective solo. It is a study in broken chords, modulations, and tension/release. This lyrical selection will appeal to pianists of all ages.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Emerald Gem, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a haunting melody. Cover photography from Back Bay, Newport Beach by Ron Levy.

Winter Wind, composed by Sara Tomlinson, is an elegant lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Imagination is an upbeat, lyrical solo by Sara Tomlinson. The opening features contrary motion between the hands, followed by lyrical and driving sections. If you or your student enjoy music with life and movement, this piece is for you!

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Introspection, composed by Rick Robertson is an intermediate level ambient solo with a mature sound. An opening lyrical, chordal section contrasts with a middle section featuring displaced accents. It also gives the performer an opportunity to experience the key of E-flat minor in a less intimidating setting.