Memory Lane

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!

New Beginnings is an upbeat and uplifting contemporary pop-style solo by Canadian composer Lisa Frederick. This selection will delight intermediates of all ages and makes a great recital or festival piece.

Beyond the Stars is a quiet and contemplative lyrical piano solo for late intermediate pianists. Music by Jennifer Eklund and part of the Dreamweaver songbook.

Seize the Day is an intermediate level contemporary lyrical solo composed by Jennifer Eklund & Mark Paulson. This inspirational, uplifting melody will be a great addition to any recital or church service. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Aloha Oe (Farewell to Thee), arranged in a lyrical style for late intermediate piano by Jennifer Eklund.

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Bittersweet is a dramatic contemporary lyrical solo composed by Canadian composer Lisa Frederick. This minor-key showcase piece will delight late-intermediates of all ages!

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Daydreams is a showcase style lyrical piano solo composed by Lisa Frederick ideal for late intermediates of all ages.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Three Eagles’ Spirit, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Portrait No.3 A Treasured Moment, is a late intermediate solo composed by Travis Lohmann, which pays homage to the Impressionistic colors of French composer Claude Debussy. A contemplative beginning with resonant and sonorous chords is a fantastic way to get students thinking about touch and tone color when performing. The increasingly more energetic middle section allows students to become more dexterous with rapid arpeggiated extended chords, as well as the evocative colors of the whole tone scale. The piece concludes with a distant call-back to the original main theme with jazz-influenced harmonies before having a triumphant send off of lush chords reminiscent of bells tolling far away.