Refractions

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

The Chase is a fast and flashy showcase piano solo that is part of the Dog Days songbook. Music by Jennifer Eklund.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Linguine Tarantella, by Rick Robertson, is an intermediate level showcase solo. Written in the style of the Neapolitan Tarantella, its exciting dynamic changes and a cascade of flying octaves at the end will make this a showstopper for recital or festival.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Insomniac’s Lullaby is a disturbing lullaby appropriate for Halloween or giving your parents strange nightmares. This whimsically macabre solo, composed by Stacy Fahrion, is ideal for intermediates.

Petite Reverie is a contemporary lyrical solo composed by Rick Robertson that will appeal to pianists of all ages. Full of lush harmonies and a sweeping melody this piece will suit any occasion including church services and weddings.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Classic Minuet, by Rick Robertson, is an early intermediate solo in classic minuet-and-trio style. It has some updated harmonies in the trio section, and is effective in recitals or festivals.

Potpourri is an imaginative collection of ten showcase solos composed by Barbara Becker. Full of evocative harmonies and a variety of genres, this is a songbook intermediates of all ages will enjoy growing with.

This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.

Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.