The Journey

August is a new age piano solo, composed by Sarah Reaser O’Brien NCTM, for intermediate and late intermediate pianists. The pedagogical focus of this selection is small hand accessibility. The waltz-time setting and straight eighths are ideal for helping players achieve a fluid technique and a sense of forward motion. The melodic content is “hidden” within the right hand eighths and gives ample opportunity for developing sophisticated voicing.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Castle in the Clouds is an elegant solo for advancing early intermediates of all ages composed by Jennifer Eklund. This showcase solo is a great way to introduce syncopation and an advanced key signature since the piece requires very few shifts in hand position.

Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

February is a syncopated tune in triple meter for intermediate pianists by Sarah Reaser O’Brien, NCTM. A lyrical variation replaces the principle theme in the second half of this minor piece. Students are not required to play a greater span than an octave in the left hand accompaniment, and the perpetual motion of the harmonic rhythm drives the sense of forward motion.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Changing Tides, composed by Chrissy Ricker, is an introspective lyrical solo for intermediates. This piece is part of the Rhapsodies and Reveries Volume Two songbook.

Reflections is an uplifting contemporary lyrical solo for intermediates that is also part of the New Horizons Songbook. Music by Jennifer Eklund.

Wistfully, by Rick Robertson, is an intermediate level lyrical solo. It is written in a “romantic movie” style, and will make a nice brief recital solo, or as a musical interlude in a worship service.

Written as a commemorative piece for the centenary of the battle of Beaumont-Hamel, July 1, 1916. Of the nearly 800 men who took part in the Allied offensive only 68 were to answer roll call the following day. Opening with the toll of bells this solo piano piece has a simple, yet haunting, Celtic-inspired melody played over a military drum-like drone.

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

August Sun, composed by Rick Robertson, is an upbeat lyrical solo for intermediates of all ages. This piece is part of the Souvenirs songbook.

You Gave Me Music, composed by Rick Robertson is an intermediate level lyrical solo with a mature sound and is suitable for recitals or church-services. It is dedicated to the memory of Rick’s first piano teacher, Myra Williamson.

Something Borrowed, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.