Emerald Gem

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Peaceful Slumber, composed by Jenny Walker, is an elegant lyrical solo for intermediates that serves as an excellent introduction to playing in 5/8 time.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Goldeneyes’ Farewell is a gorgeous impressionistic tribute to ten migrating Goldeneye ducks that Debbie Center photographed in front of her Minnesota lake home. Ideal for intermediate level pianists.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

Farewell, composed by Ryan Chesser, is an elegant lyrical solo for intermediates. This selection is part of the Winds of Change songbook.

Contentment, composed by Rick Robertson, is a lyrical solo for early intermediates with a mature sound. Long pedal effects add to the atmosphere.

Brand New Day is a collection of twelve elegant intermediate and late-intermediate contemporary solos by Ryan Chesser. This go-to songbook will appeal to both amateur and professional pianists with works that will suit a variety of occasions and settings.

New Horizons songbook features contemporary lyrical piano solos composed by Jennifer Eklund that are ideal for intermediates of all ages.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Falling Leaves is an intermediate level lyrical contemporary solo that is part of the Shades of You and Impressions songbooks. Music by Jennifer Eklund.