Minuet in Gee!

Boppin’ on the Boardwalk is a playful spin on “Minuet in G” from the The Notebook for Anna Magdalena Bach. This fun and flashy arrangement by Chrissy Ricker will be sure to delight early intermediates of all ages!

J.S. Bach’s Minuet in G arranged for early intermediates by Jennifer Eklund with a written -out improvisation section. This piece is part of Piano Pronto: Movement 2 and includes a teacher duet part.

J.S. Bach’s iconic Minuet in G arranged as an evenly-leveled duet for two intermediates by Sandra Zylstra.

While the ragtime genre really did not exist during the California Gold Rush, this collection of evocative ragtime solos by Barbara Becker, offers a musical glimpse into that wild time as San Francisco appeared and then boomed with activity. Picture a gentle dance late at night in a saloon; the joyous hope and the frequent disappointment associated with prospecting for gold; Lola Montez’s moaning about some so-and-so who did her wrong; “Mr. Moneybags” John Sutter preening in the city; and tired miners drowning their sorrows on Saturday night, then shuffling off to bed. These fun pieces fit right in with the period’s expectations of instant wealth, juxtaposed against the back-breaking work, often for little return.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

The Very Blue Danube, is an intermediate level jazzy remix of the famous Strauss waltz arranged by Chrissy Ricker. This piece is part of the Rockin’ the Classics songbook.

Double Takes is a set of seven pairs of Rags and Blues, composed by Joanne Griffiths, and inspired by J.S.Bach’s Preludes and Fugues. Each pair is a study in contrasting styles, mood, rhythm, tempo, articulation, dynamic range and textures.

The collection progresses up the keyboard, through a range of keys beginning on C and ending with B, and covers many pedagogical techniques for an intermediate pianist whilst still remaining engaging and fun.

Linguine Tarantella, by Rick Robertson, is an intermediate level showcase solo. Written in the style of the Neapolitan Tarantella, its exciting dynamic changes and a cascade of flying octaves at the end will make this a showstopper for recital or festival.

This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.

Mood Swings is an evocative collection of twelve character pieces composed by Jenny Walker. These contemporary solos for late-intermediate and advanced pianists provide a delightful landscape of harmonies and contemporary stylings that span a variety of genres.

The Chase is a fast and flashy showcase piano solo that is part of the Dog Days songbook. Music by Jennifer Eklund.

Enigma, composed by Chrissy Ricker, is a sassy jazz waltz for early intermediates and up. This piece is part of the Cool Cats songbook.

Allegro Burlesco, by Rick Robertson, is an intermediate level showcase solo. Its crisp texture and rapid passagework will make an effective recital selection, and could even be used as a prelude or postlude for festive church occasions.

City Jazz Club, a selection from Sarah Reaser O’Brien’s Star City Solos songbook, is an upbeat jazzy solo ideal for intermediates of all ages.

Barcarolle is a charming waltz composed by Barbara Becker full of evocative, lush harmonies, and is appropriate for intermediates of all ages. This selection is part of the Riding the Orient Express songbook.

Argument, by Rick Robertson, is an intermediate-level showcase solo. It is the perfect aggressive piece for the angst-ridden player, with polychords and a brief volley of tone clusters.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Flute Song, by Rick Robertson is an intermediate level lyrical solo. This is similar to his “Intermezzos,” but shorter and less difficult. It is inspired by the flute playing of a classmate from his college years, one who he accompanied frequently. This piece is very useful as a short lyrical piece for a recital, festival, worship service, or even a wedding ceremony,