To Raise the Wind Horse

Three Prayers consists of three short engaging movements for 2 pianos, 8 hands, by Lisa Donovan Lukas. This is a melodic, contemporary showcase piece for late intermediate students. Ideal for teens as well as students of all ages who enjoy playing duets and ensemble pieces at group lessons and recitals.

Under the Big Top is a fast and flashy, circus-themed showcase duet for advanced level pianists by Canadian composer Lisa Frederick.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Double Trouble is a book of unique duets by Stacy Fahrion. This book gives pianists opportunities to experiment with blues improvisation and extended techniques. It includes showy pieces in odd meters, several wild boogies, a melancholy lyrical waltz, and, of course, a tarantella that has Itsy Bitsy Spider surreptitiously woven into it. Most of the pieces are based in minor keys, modal, or use the double harmonic major scale.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor for two composed by Stacy Fahrion.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Picking Lilacs, composed by Travis Lohmann, features light influences of jazz, as well as lyrically phrased melodies. Best suited for mid to late-intermediate pianists, this composition can work both as a contemplative opener for a concert, as well as middle interlude between selections. The light-hearted tone of this piece, as well as its whimsical nature is sure to be a perfect performance piece for any concert.

Portrait No.3 A Treasured Moment, is a late intermediate solo composed by Travis Lohmann, which pays homage to the Impressionistic colors of French composer Claude Debussy. A contemplative beginning with resonant and sonorous chords is a fantastic way to get students thinking about touch and tone color when performing. The increasingly more energetic middle section allows students to become more dexterous with rapid arpeggiated extended chords, as well as the evocative colors of the whole tone scale. The piece concludes with a distant call-back to the original main theme with jazz-influenced harmonies before having a triumphant send off of lush chords reminiscent of bells tolling far away.

Inspired by the rowdiness and excitement of a big Texas get-together, Up On the Housetop is as much fun to play as it is to hear! This new duet by Paul Sweet is great for late-intermediates and up.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!

To the Sea, composed by Jenny Walker, is an evocative tone poem for piano solo, depicting morning mist, sea life (birds, crabs, seals), and gannets leading us to the majesty of the open sea. A beautiful piece for all maturing pianists of all ages at the late-intermediate level and beyond.

Intermezzo in B Flat Minor, composed by Rick Robertson, is an late-intermediate level Romantic lyrical piano solo. It appeals to pianists of all ages, and is suitable for recital and audition use.

This slightly sinister stride duet by Stacy Fahrion incorporates a few simplified snippets of Chopin’s Etude in A Minor, Op. 10, No. 2.

Autrefois (In Olden Days), composed by Rick Robertson, is a late intermediate lyrical solo that is an appropriate repertoire piece for recitals, contests, and festivals. It recalls the Paris of the late nineteenth century, with its evocation of early Impressionism. This piece is part of the Kaleidoscope Volume 3 songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Lika’s Lullaby is a pensive, contemplative lyrical solo composed by Debbie Center. Full of rich harmonies and a lilting melody this piece is ideal for intermediates to work on rubato and expressive playing.