Monday’s Child

Lullaby, composed by Joanne Griffiths, is a lyrical and expressive piece, suitable for an intermediate player. It is based on the primary chords of D major, with the occasional chromatic twist.

Reassurance, composed by Rick Robertson, is an early intermediate level lyrical solo. It has a gentle sway in its rhythm, and a memorable melody. It could also be used as worship service music. It was inspired by the self-isolation and “social distancing” of the COVID-19 pandemic of 2020.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Interlude, by Rick Robertson, is a peaceful and pensive minor-key solo for intermediates. This piece is part of the Souvenirs songbook.

Valse Sentimentale is a pensive lyrical waltz composed by Rick Robertson that is ideal for early intermediates. This piece is part of the Reach for the Stars songbook.

Ebb & Flow is a collection of eleven contemporary solos by British composer, Joanne Griffiths. Intermediates of all ages will enjoy exploring the various genres encapsulated in this collection of ambient solos.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version, transposed to the key of D minor, is ideal for intermediate level pianists.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Evening Elegy, composed by Chrissy Ricker, is a lyrical gem with a rhapsodic middle section and plenty of room for students to work on lyrical phrasing and rubato. This intermediate level solo is part of the Rhapsodies and Reveries Volume Two songbook.

Dream Clouds by Rick Robertson is an early intermediate solo in a neo-Romantic lyrical style. It is very effective in performance, and its passagework lies easily under the hands, making it sound more difficult than it is.

Imagination is an upbeat, lyrical solo by Sara Tomlinson. The opening features contrary motion between the hands, followed by lyrical and driving sections. If you or your student enjoy music with life and movement, this piece is for you!

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version is ideal for advanced level pianists.