Sheet Music composed by Stacy Fahrion
Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.
Digital Sheet Music
Wayward Blackbird (Digital: Single User)
Wayward Blackbird (Digital: Unlimited Reproductions)
|Method Book Match|
|Number of Pages||7|
About the composer
Stacy Fahrion writes in a style she calls “Whimsically Macabre.” Many of her compositions have been concocted from the remains of nursery rhymes. Her music has been described as “offbeat quirky seriously beautifully funny mischievously madly serious.” Stacy holds a Master’s degree in Piano Performance and Pedagogy from the University of Iowa, and teaches piano lessons in Denver. She enjoys performing at house concerts, and when she’s not conjuring up new pieces, she can usually be found hiking in the mountains.
This product is part of a collection
Whimsy & Wonder
Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.
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Waltz for a Six-Legged Octopus
Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.
The Lovelorn Lobster
The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!
A Wise Old Owl
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.
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