Double Trouble

This slightly sinister stride duet by Stacy Fahrion incorporates a few simplified snippets of Chopin’s Etude in A Minor, Op. 10, No. 2.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor for two composed by Stacy Fahrion.

Minor Blues for Two by Stacy Fahrion gives the first pianist an opportunity to improvise over a 12-bar blues progression. If played on a grand piano, the pianist can also mute strings inside the piano for an interesting change of tone color.

Knock, Knock, Knock! is an evenly-leveled duet for late-beginners by Chrissy Ricker. This piece is sneaky, jazzy fun for all ages! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Beethoven’s familiar two-note theme is used throughout this evenly-leveled piano duet by Dolce Dolls team Marcia Benson and Heidi Hansen in unexpected ways. This showcase piece is ideal for early intermediates and up.

In the Hall of the Mountain King arranged as a fast and flashy showcase duet for intermediates by Jennifer Eklund.

What could possibly be more fun than playing “Gummy Bear Shuffle”? Playing it with a friend! This one begged to be arranged for piano duet, and here it is. Its bouncy rhythms make it fun to listen to, and to play as well. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

To Raise the Wind Horse is a piece for one piano, four hands by Lisa Donovan Lukas, originally premiered at Daniel Pearl World Music Days. A spirited, contemporary showcase piece, this is an ideal performance piece for late intermediate/early advanced students who enjoy playing duets!

These Are Odd Times, by Stacy Fahrion, is a whimsically macabre collection of solos composed in odd meters. Rife with less common meters, shifting time signatures, and intricate contrapuntal textures, this collection provides a rewarding challenge for late-intermediate and advanced pianists.

Under the Big Top is a fast and flashy, circus-themed showcase duet for advanced level pianists by Canadian composer Lisa Frederick.

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

This exhilarating Toccata by Stacy Fahrion gives advanced pianists an opportunity to showcase their rhythmic skills. A bold hemiola-based theme in 6/8 gives this piece a dancelike rhythmic vitality. Use of the double harmonic major scale makes it sound mysterious and earthy. Ideal for conjuring up drama at Halloween recitals, or any time your students crave a dramatic and rhythmic piece. This piece is part of the “Polyrhythms for Pianists” method book.

Piece of Cake, part of Lisa Donovan Lukas’s Dynamic Duos songbook, is a saucy blues-style evenly-leveled duet for two late-beginners.

Three Prayers consists of three short engaging movements for 2 pianos, 8 hands, by Lisa Donovan Lukas. This is a melodic, contemporary showcase piece for late intermediate students. Ideal for teens as well as students of all ages who enjoy playing duets and ensemble pieces at group lessons and recitals.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Inspired by the rowdiness and excitement of a big Texas get-together, Up On the Housetop is as much fun to play as it is to hear! This new duet by Paul Sweet is great for late-intermediates and up.