Phantasmagoria: Soundtrack

It Is Well with My Soul in a lyrical setting with splashes of J.S. Bach’s “Arioso” from BWV 156 & 1056. This pensive solo, arranged by Jennifer Eklund, is ideal for late intermediates.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

On Your Case by Lisa Frederick is a minor-key jazzy showcase solo for late intermediates of all ages. Ideal for students who want spy-themed pieces, this will be a sure-fire hit at your next recital!

Portrait No.4: The Misadventures of Jay Dubya, composed by Travis Lohmann is an advanced contemporary piano solo, written in the style, and paying tribute to the early cinematic writings of John Williams. An enrapturing adventure fraught with excitement and twists and turns around every corner; this piece allows the student not only to explore the possibilities of 6/8 meter, but also of various polyrhythms, extensive use of passing dissonances, extended harmony, pedal points, and both rubato and bravura. Step lively with this one, for one wrong misstep could literally end up in a misadventure!

Outburst! is an unpredictable, turbulent, fast and flashy advanced showcase piano solo by Canadian composer, Lisa Frederick. The twists and turns will have audiences on the edge of their seats!

Inspired by the rowdiness and excitement of a big Texas get-together, Up On the Housetop is as much fun to play as it is to hear! This new duet by Paul Sweet is great for late-intermediates and up.

Feel the energy and pulse of San Francisco with this set of six character pieces by Barbara Becker. Harmonically innovative showcase solos for intermediates of all ages!

With its catchy rhythmic drive and harmonic twists, Tango Twist, composed by Jenny Walker is a joy to play, a pleasure to listen to and a real showcase piece for adventurous students and teachers alike.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Little Tarantella, composed by Jenny Walker, mimics the Italian style of folk dance that has an upbeat, triple time tempo accompanied by tambourines. This lively solo is ideal for advancing intermediates of all ages.

A meditative arrangement by Stacy Fahrion of Martin Luther’s Ein feste Burg ist unser Gott. This arrangement was written to commemorate the 500th anniversary of the Protestant Reformation.

Portrait No.3 A Treasured Moment, is a late intermediate solo composed by Travis Lohmann, which pays homage to the Impressionistic colors of French composer Claude Debussy. A contemplative beginning with resonant and sonorous chords is a fantastic way to get students thinking about touch and tone color when performing. The increasingly more energetic middle section allows students to become more dexterous with rapid arpeggiated extended chords, as well as the evocative colors of the whole tone scale. The piece concludes with a distant call-back to the original main theme with jazz-influenced harmonies before having a triumphant send off of lush chords reminiscent of bells tolling far away.

Clair de lune, by Claude Debussy, arranged for intermediate piano solo by Jennifer Eklund. Part of the Piano Pronto: Encore method book.

My Father’s Waltz is a lyrical, pop-style piano solo for intermediate level by Lisa Donovan Lukas. This is a lovely expressive piece and offers an ideal lyrical showcase solo for students of all ages.

Ballad, composed by Rick Robertson, is a late intermediate solo that is suitable for recitals or festivals. It is reminiscent of romantic movie music and builds to a large climax before ending quietly.

Are you a wedding pianist? Look no further! This lyrical arrangement of the wedding recessional will be your new go-to favorite! This arrangement by Jennifer Eklund is ideal for late intermediates and up.

Recordings for the Dreamweaver songbook by Jennifer Eklund.

Tarantella is a virtuosic, spellbinding piece for advanced pianists composed by Stacy Fahrion. The time signature is 6/8, although one of the recurring left hand patterns is in 7/8. In the recording, the piano is deliberately detuned, intensifying the dissonances of the double harmonic major scale by lowering the minor 2nd and minor 6th slightly, and raising the major 3rd and major 7th slightly. The percussion sounds are created by placing a tambourine on the bass strings of the piano. Detuning your piano and tossing a tambourine in it is entirely optional, although the composer encourages it.