Tappin’ Tango by Jane Tate is an intermediate showcase solo which will have your student ready to dance their fingers on the keyboard! This would be a great addition to a recital or performance.
Innuendo is a Latin-flavored jazz piece in a minor key composed by Gary Johnston. The chord symbols are included for those who wish to improvise.
Rolling Blues, composed by Gary Johnston, is a bluesy early intermediate solo by Gary Johnston featuring triplets, a walking base line, syncopation and room for improvisation using the C blues scale.
Summer Breeze is a relaxed bossa-nova style piano solo by Gary Johnston evocative of a lazy summer day. This early intermediate showcase provides a great opportunity for teaching duplets.
The second movement theme from Mozart’s Piano Concerto No. 21, K. 467, arranged for intermediates by Jennifer Eklund. This piece, which includes a music history lesson, is part of the Mozart: Exploring His Life & Music songbook.
Waltz in A-flat by Johannes Brahms arranged for intermediates in a manner that stays true to the original work. Arranged by Jennifer Eklund and part of the Piano Pronto: Movement 5 method book.
Tropical Breeze is an intermediate level Latin style piano solo that is part of the Dog Days Songbook. Music by Jennifer Eklund.
La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.
Toccata Lyrica, composed by Rick Robertson is an intermediate level showcase solo in a flashy, but lyrical style. It is very effective in performance, and makes an excellent recital or festival choice for a developing pianist.
This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.
City Jazz Club, a selection from Sarah Reaser O’Brien’s Star City Solos songbook, is an upbeat jazzy solo ideal for intermediates of all ages.
October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.
Until I See You Again is an expressive and heartfelt lyrical solo by Heather Nanney. Its beautiful melodic lines make this intermediate solo a student and teacher favorite.
Faded Memories, composed by Ryan Chesser, is an elegant melancholy solo for intermediates. This selection is part of the Winds of Change songbook.
Ocean, composed by Sara Tomlinson, is a showcase lyrical solo for intermediates. This piece is part of the Creation Collage songbook.
Possibilities by Sara Tomlinson is a flowing, contemporary solo with a dynamic, flashy middle section. The unusual harmonies, mixing the sounds of major and minor, open the listener’s mind to endless possibilities.
The Knight’s Quest, composed by Amanda W. Smith, is a flashy showcase solo for intermediate pianists of any age. This piece is part of the Set Sail songbook.
Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.
Drifting, composed by Lisa Shoemaker, is a moody, minor-key meandering piece that provides intermediates ample opportunity to develop smooth, flowing left hand triplet patterns, as well as gain experience with the una corda pedal.
This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.
Valse Latina, composed by Jenny Walker, an energetic fast waltz for intermediates. This showcase solo will appeal to students of all ages!
This piece was inspired by a breathtaking midnight kayak ride on our lake in northern Minnesota. It was my birthday, and the water was completely still, beautifully reflecting every star as well as the rising Super Moon.
Guilty as Charged is a light-hearted contemporary lyrical solo ideal for late intermediate pianists. Words and music by Jennifer Eklund and part of the Dreamweaver songbook.
Goodnight, Sweet Dreams is a Composers Today award winning composition by Lisa Donovan Lukas. An inspirational contemporary lyrical showcase solo, ideal for the advanced student.