Stride bass

From Every Mountain Top, features a holiday favorite “Go Tell It on the Mountain” arranged in a slow gospel style by Chrissy Ricker. This holiday piece is ideal for intermediates and will add soulful sparkle to your holiday recital!

Gloomy Old Saint Nick is a jazzy ditty about how it’s okay not to be jolly all the time, even during the holidays. Music arranged by Stacy Fahrion.

Skulls Chattering is a bluesy Halloween solo for early intermediates composed by Stacy Fahrion. This whimsically macabre solo will delight students of all ages!

Jabberwocky is a playfully galumphing late-intermediate solo in D minor with a lilting swing. Adventurous pianists can even sing the words to the famous nonsense poem by Lewis Carroll whilst they play this whimsical version by Stacy Fahrion.

The original version of this piece is part of the Once Upon a Time songbook.

Spirit House is a delightfully spooky solo for intermediates composed by Ron Levy. Great for the Halloween season or anytime a spooky mood strikes!

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Original Rags, composed by Scott Joplin, is a fun ragtime tune arranged for late beginners by Jennifer Eklund. Part of the Songs I Love to Play Volume 1 songbook.

Easy Come, Easy Go is an easy ragtime-style jazz solo for late beginners that will reinforce syncopation and swing style eighths. Music by Jennifer Eklund and part of the Spotlight Solos Volume 2 songbook.

Ragtime Dance is a bright, upbeat ragtime dance by Scott Joplin. This arrangement by Jennifer Eklund is ideal for intermediates of all ages!

Pineapple Rag, composed by Scott Joplin, arranged for early intermediates by Jennifer Eklund. Part of the Songs I Love to Play Volume 2 songbook.

The Entertainer, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for early intermediates Jennifer Eklund. Part of the Songs I Love to Play Volume 1 songbook.

The Sliding Thumbs Rag, composed by Lisa Shoemaker, is an upbeat ragtime-style solo for early intermediates. This piece is part of the Musical Mosaics songbook.

Elite Syncopations by Scott Joplin arranged for intermediates by Jennifer Eklund.

Maple Leaf Rag, composed by Scott Joplin presented in an easily accessible, hand-friendly version arranged for intermediates by Jennifer Eklund. Part of the Songs I Love to Play Volume 2 songbook.

The Easy Winners, composed by Scott Joplin, presented in an easily accessible, hand-friendly version arranged for intermediates by Jennifer Eklund.

Midnight on the Bayou is a bluesy minor-key solo composed by Chrissy Ricker. This showcase piece, part of the Perfect Patterns PLUS songbook, is suitable for intermediates of all ages and a great exercise in left-hand leaps.

Journey, is a sentimental lyrical waltz composed by Lisa Donovan Lukas for intermediates. This piece is part of the Journey’s songbook.

Broken-Hearted You is an upbeat country-style solo composed by Sarah Reaser O’Brien. This light-hearted swinging solo is ideal for intermediates of all ages!

Horsin’ Around, composed by Ron Levy, is a Western-themed showcase for intermediates. This solo offers a great opportunity to work on articulations and to dynamically highlight the subtle rhythmic variations of the main theme.

Chromo Rag, composed by Lisa Shoemaker, is fast & flashy ragtime solo for intermediates. This piece is part of the Musical Mosaics Volume 2 songbook.

Hoedown Medley is a lively showcase solo by Sandra Zylstra that combines two American classics: The Arkansas Traveler and Turkey in the Straw. This piece is ideal for intermediates of all ages!

Chromatic Rag, composed by Joanne Griffiths, is an exciting cacophony of contrary motion chromatic scales, tamed into a jaunty pastiche of Joplin. It is based on popular left-hand patterns, interspersed with symmetrical chromatic runs, and therefore suitable for an intermediate player.

July is a ragtime solo for intermediate pianists composed by Sarah Reaser O’Brien.It is ideal study material for those who would enjoy historical rags but need a more manageable arrangement and hand span than those typically offer. There is syncopation throughout all of the three principle melodies with a steady quarter note accompaniment in the left hand for the majority of the piece.

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!