This wistfully whimsical piece by Stacy Fahrion expresses The Farmer in the Dell’s unrequited love for Adele. Ideal for intermediates of all ages.
Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.
Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.
Composer Stacy Fahrion interweaves Hickory Dickory Dock and snippets of For He’s a Jolly Good Fellow into this whimsically macabre solo that will delight late intermediates of all ages.
The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.
Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.
This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.
A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.
Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.
This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!
Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.
Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.
Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.
Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.
Diabolical Dance is a wild ride through 10/8 time with a relentless 3+2+2+3 groove. This dramatic piece by Stacy Fahrion will give advanced students a chance to highlight their rhythmic skills. Featuring contrapuntal lines culminating in tone clusters, this piece will be a delight when featured in Halloween recitals, or any time your students are looking for a flashy minor-key piece with fun asymmetrical rhythms.
This exhilarating Toccata by Stacy Fahrion gives advanced pianists an opportunity to showcase their rhythmic skills. A bold hemiola-based theme in 6/8 gives this piece a dancelike rhythmic vitality. Use of the double harmonic major scale makes it sound mysterious and earthy. Ideal for conjuring up drama at Halloween recitals, or any time your students crave a dramatic and rhythmic piece. This piece is part of the “Polyrhythms for Pianists” method book.
Tarantella is a virtuosic, spellbinding piece for advanced pianists composed by Stacy Fahrion. The time signature is 6/8, although one of the recurring left hand patterns is in 7/8. In the recording, the piano is deliberately detuned, intensifying the dissonances of the double harmonic major scale by lowering the minor 2nd and minor 6th slightly, and raising the major 3rd and major 7th slightly. The percussion sounds are created by placing a tambourine on the bass strings of the piano. Detuning your piano and tossing a tambourine in it is entirely optional, although the composer encourages it.
A meditative arrangement by Stacy Fahrion of Martin Luther’s Ein feste Burg ist unser Gott. This arrangement was written to commemorate the 500th anniversary of the Protestant Reformation.
The Book of Spells by Stacy Fahrion is designed to ease intermediate pianists of all ages into improvising in different imaginative ways, using different time signatures, modes, pentatonic scales, odd meters, and occasional 2:3 polyrhythms. Each spell has at least one section where pianists have the opportunity to create their own melodies, using a suggested rhythm to help them get started. Most of the pieces feature an ostinato of some kind in the left hand. Several of these pieces are inspired by the composer’s studies of North Indian ragas. This book is ideal for intermediate pianists who would like to learn to improvise and compose their own music, and is also a source of fresh ideas for students who are already improvising and composing.
This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.
Stacy Fahrion wrote Nice Tardigrade so that beginner pianists can enjoy playing polyrhythms and playing in Dorian mode. “Nice tardigrade” is a mnemonic phrase like “hot cup of tea” or “not difficult” that may help pianists remember the sound of a three against two polyrhythm. Tardigrades are resilient microscopic creatures that look like tiny bears. They have existed on Earth for about 600 million years.
This gentle, ambient piece will help ease pianists into playing in 5/4 time signature. It features broken fifths in the left hand that only happen on black keys, with a repeating chord progression of I-vi-ii-V in Gb major. The right hand stays in the same hand position throughout, other than leaping up or down by an octave.
Distant Bells is an elegant polyrhythmic etude for early intermediates composed by Stacy Fahrion. This piece serves as an excellent introduction to playing two against three between the hands.
A Spell for Focus, composed by Stacy Fahrion, is in 7/4, and is inspired by Raag Jog from Indian classical music. Pianists can count “1 2 3 4 1 2 3” throughout to help them stay focused. In bars 5-8 and 13-16, pianists are encouraged to improvise using the suggested rhythm and the notes C, E, F, G, and B-flat.
