This fun ragtime piece, composed by Chrissy Ricker, is a playful nod to Grieg’s “In the Hall of the Mountain King.” A perfect early intermediate showcase solo for Halloween, or any time of year!
Scary Movie, by Rick Robertson is an early intermediate level showcase solo, inspired by the beloved “Ballade” by Burgmüller. In addition to being an excellent seasonal Halloween selection, it will help the young player develop technical skills, all wrapped up in less than a minute of fun!
Skulls Chattering is a bluesy Halloween solo for early intermediates composed by Stacy Fahrion. This whimsically macabre solo will delight students of all ages!
Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.
Just a little ditty by Stacy Fahrion about zombies shambling on Old MacDonald’s Farm. Ideal for early intermediates and beyond.
Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.
Into the Night, composed by Rick Robertson, is an intermediate level ambient solo that would be suitable for the Halloween season for students looking for a mature selection. This piece is part of the Souvenirs songbook.
Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.
Long-Legged Spinners is a whimsically macabre solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the Lullabies for Arachnophobes songbook.
Arachne’s Web, composed by Stacy Fahrion, is a whimsically macabre solo featuring lots of syncopation and a unique spin on Itsy Bitsy Spider. This piece is part of the Once Upon a Time songbook.
Alouette, the traditional French folk song arranged as a minor-key whimsically macabre solo by Stacy Fahrion. This piece is part of the Once Upon a Time songbook.
Sideways Blues is a strange blues by Stacy Fahrion based on an eight-note scale containing these notes: E-F-G-A#-B-C-C#-D-E. Since it’s based only on that scale, most of the chords are not typical blues chords, although it follows a typical 12-bar structure. Students have the option to repeat measures 13-24 and improvise with the right hand over the chords that are already there.
The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor for two composed by Stacy Fahrion.
Boogie-Man Blues is a jazzy jaunt in A minor composed by Stacy Fahrion. This swinging showcase solo is ideal for intermediates.
Five Feisty Witches is a ferociously flashy piece in 5/8 composed by Stacy Fahrion. This showcase solo is ideal for intermediates.
Too Much Sugar Blues is a lethargic jazzy tune about eating too much candy composed by Stacy Fahrion. This blues showcase solo is ideal for intermediates.
Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.
Tritone Tarantella is a flashy and dissonant pattern-based tarantella composed by Stacy Fahrion. Ideal for intermediates during Halloween-season or whenever the mood strikes!
A flashy intermediate solo in 7/8 time based on This Old Man composed by Stacy Fahrion.
Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.
Insomniac’s Lullaby is a disturbing lullaby appropriate for Halloween or giving your parents strange nightmares. This whimsically macabre solo, composed by Stacy Fahrion, is ideal for intermediates.
This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.
Spirit House is a delightfully spooky solo for intermediates composed by Ron Levy. Great for the Halloween season or anytime a spooky mood strikes!
Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.