Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.
Live for Today, composed by Rick Robertson, is an intermediate-level inspirational lyrical solo. It appeals to pianists of all ages and can be used as service music as well.
Bunessan, a traditional Gaelic melody, artfully arranged by Kevin Costley for intermediates of all ages. This piece is part of the Hymns of Joy sacred songbook.
Trust and Obey, in an elegant setting, arranged by Kevin Costley. This solo is ideal for intermediates of all ages.
Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.
Like You, Lord! is an upbeat contemporary worship solo composed by Chrisanne Nahum. This piece is ideal for intermediates and includes lyrics for congregational singing.
Oh, How I Love Jesus! arranged by Chrisanne Nahum for multiple levels. This pack includes two primer level versions, a version for late-beginners, and a teacher duet part to accompany the first two versions.
Daytime Dreaming’ is a light, cheerful solo by Chrisanne Nahum in the key of C Major. This graceful, lilting waltz is ideal for intermediates of all ages.
Jesus Loves Me is one of the most popular Christian hymns around the world sung by many generations. Intermediate level students of all ages will enjoy this arrangement of this timeless hymn arranged by Sandra Zylstra!
“Arkansas Traveler” and “Turkey in the Straw” make up this fun dance medley. Both songs were written long ago and have survived through the years with many different lyrics adapted for various occasions. This toe-tapping duet is evenly leveled for two intermediates!
Country Gardens is a traditional English folk tune arranged by Sandra Zylstra arranged as a duet for intermediates.
Hoedown Medley is a lively showcase solo by Sandra Zylstra that combines two American classics: The Arkansas Traveler and Turkey in the Straw. This piece is ideal for intermediates of all ages!
Rag Doll, composed by Jenny Walker, serves as a jovial introduction to the ragtime style. Mainly played on white keys, it is a cheeky piece that will delight intermediate pianists of all ages!
Farewell, composed by Ryan Chesser, is an elegant lyrical solo for intermediates. This selection is part of the Winds of Change songbook.
It’s Just Right, composed by Ryan Chesser, is an uplifting lyrical solo for right-hand only. This selection is part of the Winds of Change songbook.
Come What May, composed by Ryan Chesser, is an uplifting lyrical solo for intermediates. This selection is part of the Brand New Day songbook.
Brand New Day, composed by Ryan Chesser, is an uplifting lyrical solo for intermediates. This selection is part of the Brand New Day songbook.
You and your intermediate students will enjoy playing this evenly-leveled sacred duet by teacher and church pianist Christina Mathis! This arrangement is perfect all occasions from offertories to recitals.
Your students will love this simple, late elementary level arrangement of My Jesus, I Love Thee by Christina Mathis. It is a lovely addition to any church service or recital.
This lyrical intermediate arrangement of Fairest Lord Jesus arranged by Christina Mathis is the perfect addition to any church service or recital.
What a Friend We Have in Jesus arranged in a contemporary setting by Christina Mathis. This intermediate arrangement is perfect for church preludes, offertories, and recitals. You and your students will enjoy playing this lyrical arrangement of an all-time favorite hymn.
Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!
Another Day, composed by Amanda W. Smith, is an elegant lyrical solo for intermediates. This piece is part of the Set Sail songbook.
Stately march by Sir Edward Elgar (1857 - 1934), Pomp and Circumstance March No. 1 (Trio). Often used as a graduation march and is traditionally the finale at the Last Night of the Proms. This arrangement by Gary Johnston is written in a homophonic chorale style suitable for most formal occasions.