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Mission: X Mystery Manor is a short-form method-style songbook for beginners with a focus on accidentals. Each block begins with “Mission Training” that contains a mix of written theory work and light music analysis to help prepare students to learn the pieces. These engaging pieces and materials by Chrissy Ricker will be a hit with students of all ages.

Halloween Fun is a mini-songbook of easy showcase style solos composed by Barbara Becker. Featuring favorites from Becker’s Just Fun! songbook volumes, these engaging solos, for beginners and late beginners, will delight students of all ages!

Mission: X Haunted Hill is a short-form method-style songbook for late beginners with a focus on minor scales. Each block begins with “Mission Training” that contains a mix of written theory work and light music analysis to help prepare students to learn the pieces. These engaging pieces and materials by Chrissy Ricker will be a hit with students of all ages.

To feed students’ cravings for playing in minor keys, Minor Marvels features twelve showcase-style piano solos, four solos with optional teacher duet parts, and two duets. These selections are ideal for late beginners through early intermediates and will gloomily gleam at a Halloween recital or whenever a minor mood strikes!

Tricks & Treats features eleven Halloween-themed showcase solos composed by Stacy Fahrion. Full of quirky harmonies, odd meters, and playful takes on folk melodies, these pieces will be a treat for intermediates of all ages at any time of the year!

Spooktacular is an upbeat, minor-key jazz solo with teacher duet that incorporates finger snaps throughout. This piece is ideal for beginners of all ages and can be taught by note or rote.

Creepy Critter Dance, composed by Paul Sweet, is a cheeky, creepy showcase solo for early intermediates. Spooky harmonies and upbeat patterns make it a great selection for Halloween recitals or any time of the year!

This wistfully whimsical piece by Stacy Fahrion expresses The Farmer in the Dell’s unrequited love for Adele. Ideal for intermediates of all ages.

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

First Halloween Solos features twenty primer level spooky solos for beginners composed by Jennifer Eklund. These minor-key showcase solos will delight students of all ages during and beyond the Halloween season. As a special bonus, teacher duet parts are included with purchase.

Level Up! Spooktacular Halloween Edition features ten easy spooky solos presented at three different levels to accommodate students using Piano Pronto beginning level method books like, Prelude, Movement 1, and the Fired Up! series.

Easy Spooktacular Solos features ten easy spooky solos for late beginners and up composed by Jennifer Eklund. These minor-key showcase solos will delight students of all ages during and beyond the Halloween seasons.

Note: If you are interested in multi-level versions of these ten pieces consider the Level Up! Spooktacular Halloween Edition multi-level songbook.

Who needs fairy tales when you can have scary tales instead! Scary Tales is a collection of frightfully fun showcase solos for late beginners composed by Lisa Donovan Lukas. Great for Halloween or anytime of the year that a spooky mood strikes!

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Double Trouble is a book of unique duets by Stacy Fahrion. This book gives pianists opportunities to experiment with blues improvisation and extended techniques. It includes showy pieces in odd meters, several wild boogies, a melancholy lyrical waltz, and, of course, a tarantella that has Itsy Bitsy Spider surreptitiously woven into it. Most of the pieces are based in minor keys, modal, or use the double harmonic major scale.

These Are Odd Times, by Stacy Fahrion, is a whimsically macabre collection of solos composed in odd meters. Rife with less common meters, shifting time signatures, and intricate contrapuntal textures, this collection provides a rewarding challenge for late-intermediate and advanced pianists.

Halloween Night is a minor-key, spooky solo for primers and beginners of all ages. While this solo stands alone it also includes a teacher duet part in the style of a jazz-waltz.

Scaredy-Cat is a sassy swinging solo perfect for Halloween or any time of the year. This piece offers a gentle introduction to the key of F minor with a pattern-based approach that is well-suited for late beginners and beyond. Purchase includes both MIDI and Mp3 backing track for full-time fun!

Just a little ditty by Stacy Fahrion about zombies shambling on Old MacDonald’s Farm. Ideal for early intermediates and beyond.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Tarantella is a virtuosic, spellbinding piece for advanced pianists composed by Stacy Fahrion. The time signature is 6/8, although one of the recurring left hand patterns is in 7/8. In the recording, the piano is deliberately detuned, intensifying the dissonances of the double harmonic major scale by lowering the minor 2nd and minor 6th slightly, and raising the major 3rd and major 7th slightly. The percussion sounds are created by placing a tambourine on the bass strings of the piano. Detuning your piano and tossing a tambourine in it is entirely optional, although the composer encourages it.