Spooky Goings On, composed by Jenny Walker is an evenly-leveled duet for two intermediate players. There is no key change, merely the requirement to maintain a slowish, steady beat, provided mainly by the secondo player. Whether it’s ghosts, witches, or spiders that come to mind, this piece will be enjoyed by students and teachers alike.
Who doesn’t love gummy bears? Gummy Bear Shuffle, composed by Rick Robertson, is an intermediate level solo in a playful shuffle style. Its bouncy rhythms make it fun to listen to and play. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.
What could possibly be more fun than playing “Gummy Bear Shuffle”? Playing it with a friend! This one begged to be arranged for piano duet, and here it is. Its bouncy rhythms make it fun to listen to, and to play as well. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.
Boogie-Man Blues is a jazzy jaunt in A minor composed by Stacy Fahrion. This swinging showcase solo is ideal for intermediates.
Five Feisty Witches is a ferociously flashy piece in 5/8 composed by Stacy Fahrion. This showcase solo is ideal for intermediates.
Too Much Sugar Blues is a lethargic jazzy tune about eating too much candy composed by Stacy Fahrion. This blues showcase solo is ideal for intermediates.
Spirit House is a delightfully spooky solo for intermediates composed by Ron Levy. Great for the Halloween season or anytime a spooky mood strikes!
This slightly sinister stride duet by Stacy Fahrion incorporates a few simplified snippets of Chopin’s Etude in A Minor, Op. 10, No. 2.
Silent Slumber is an introspective contemporary lyrical solo by Ryan Chesser. This selection, graded for intermediates, will be a lovely performance selection for pianists of all ages.
Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.
Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.