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Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.

Minor Blues for Two by Stacy Fahrion gives the first pianist an opportunity to improvise over a 12-bar blues progression. If played on a grand piano, the pianist can also mute strings inside the piano for an interesting change of tone color.

Too Much Sugar Blues is a lethargic jazzy tune about eating too much candy composed by Stacy Fahrion. This blues showcase solo is ideal for intermediates.

Boogie-Man Blues is a jazzy jaunt in A minor composed by Stacy Fahrion. This swinging showcase solo is ideal for intermediates.

Sideways Blues is a strange blues by Stacy Fahrion based on an eight-note scale containing these notes: E-F-G-A#-B-C-C#-D-E. Since it’s based only on that scale, most of the chords are not typical blues chords, although it follows a typical 12-bar structure. Students have the option to repeat measures 13-24 and improvise with the right hand over the chords that are already there.

What could possibly be more fun than playing “Gummy Bear Shuffle”? Playing it with a friend! This one begged to be arranged for piano duet, and here it is. Its bouncy rhythms make it fun to listen to, and to play as well. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.

Who doesn’t love gummy bears? Gummy Bear Shuffle, composed by Rick Robertson, is an intermediate level solo in a playful shuffle style. Its bouncy rhythms make it fun to listen to and play. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.

Skulls Chattering is a bluesy Halloween solo for early intermediates composed by Stacy Fahrion. This whimsically macabre solo will delight students of all ages!

Scary Movie, by Rick Robertson is an early intermediate level showcase solo, inspired by the beloved “Ballade” by Burgmüller. In addition to being an excellent seasonal Halloween selection, it will help the young player develop technical skills, all wrapped up in less than a minute of fun!

This fun ragtime piece, composed by Chrissy Ricker, is a playful nod to Grieg’s “In the Hall of the Mountain King.” A perfect early intermediate showcase solo for Halloween, or any time of year!

Knock, Knock, Knock! is an evenly-leveled duet for late-beginners by Chrissy Ricker. This piece is sneaky, jazzy fun for all ages! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Scaredy-Cat is a sassy swinging solo perfect for Halloween or any time of the year. This piece offers a gentle introduction to the key of F minor with a pattern-based approach that is well-suited for late beginners and beyond. Purchase includes both MIDI and Mp3 backing track for full-time fun!

Fright Night! is an easy minor-key trio for late beginners by Jennifer Eklund. Perfect for Halloween or any time of the year when a spooky mood strikes! Includes separated parts and a full conductor’s stacked score for convenience.

Trick or Treat Trio is an easy, evenly-leveled trio for late beginners by Jennifer Eklund. Perfect for Halloween or any time of the year when a spooky mood strikes! Includes separated parts and a full conductor’s stacked score for convenience.

Fright Night! is a multi-level minor-key solo by Jennifer Eklund for late beginners of all ages. This product includes three versions, and will delight students during the Halloween season and beyond!

Escape Hatch is a spy-themed minor-key primer solo and teacher duet perfect for very early beginners of all ages. This piece can be taught by note, rote, or finger number. Part of the Rising Star Volume 1 songbook.

These Are Odd Times, by Stacy Fahrion, is a whimsically macabre collection of solos composed in odd meters. Rife with less common meters, shifting time signatures, and intricate contrapuntal textures, this collection provides a rewarding challenge for late-intermediate and advanced pianists.

Double Trouble is a book of unique duets by Stacy Fahrion. This book gives pianists opportunities to experiment with blues improvisation and extended techniques. It includes showy pieces in odd meters, several wild boogies, a melancholy lyrical waltz, and, of course, a tarantella that has Itsy Bitsy Spider surreptitiously woven into it. Most of the pieces are based in minor keys, modal, or use the double harmonic major scale.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

This combo deal includes Chrissy Ricker’s “Easy Cool Cats” songbook for late beginners and the “Cool Cats” songbook for early intermediates.

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.