An elegant piano solo interpretation of the first movement of Vivaldi’s Violin Concerto in A Minor (RV. 356). This abridged arrangement by Jennifer Eklund will allow intermediates and up to work on lyrical phrasing, dynamics, and rubato. The approximate run time of this solo is 2:30.
A modern lyrical spin on J.S. Bach’s two-part Invention in A minor arranged by Jennifer Eklund. This intermediate solo provides ample opportunity to work on interpretation, rubato, and lyrical artistry.
Nostalgia, by Rick Robertson, is an intermediate level solo in a Neo-Romantic lyrical style. Written in style of a wistful waltz, it makes an excellent repertoire choice for a developing pianist.
By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.
Bittersweet, composed by Rick Robertson is an intermediate-level solo in a neo-Romantic lyrical style. The melody features a slight rhythmic lilt, and there is an added surprise of a key change at the end. It will make an excellent recital choice for the growing performer.
Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.
Day’s End, composed by Rick Robertson is an intermediate level ambient, light jazz solo with a mature" sound. This piece will appeal to teens and adults as well.
Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.
Faith, composed by Rick Robertson, is an intermediate reflective lyrical solo. Its melody and mood make it equally suitable for recital or service use.
This mysterious-sounding intermediate-level etude by Stacy Fahrion is ideal for introducing quarter-note triplets to students, and also is a wonderful recital piece. It eases students into playing 2 against 3 and 3 against 2 polyrhythms, and through playing it, students will learn how eighth-note triplets and quarter-note triplets relate. It begins in G Dorian and ends in D minor. Proxima Centauri is the closest star to the sun, but isn’t visible to the eye alone.
Cookie Waltz has its origin in my very first composition, written while an undergraduate at Orange Coast College under the tutelage of Dr. Edith Smith. The original title, Mookwipp No. 1, seemed a bit strange in retrospect, so I transformed it thus: mook–> cook–>cookie…Cookie Waltz!
Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.
O Sacred Head Now Wounded, the classic Passion hymn, arranged by Robyn Fehrenbacher. This reflective minor key piece is perfect for preludes, offertories, and communion church services year round, as well as during the season of Lent and Easter.
Daytime Dreaming’ is a light, cheerful solo by Chrisanne Nahum in the key of C Major. This graceful, lilting waltz is ideal for intermediates of all ages.
Love For Jesus, is a sacred medley that combines My Jesus, I Love Thee and More Love to Thee. This arrangement by Sandra Zylstra is ideal for intermediates of all ages.
God’s Beautiful World, is a sacred medley including This Is My Father’s World, For the Beauty of the Earth, and All Things Bright and Beautiful. This arrangement by Sandra Zylstra is ideal for intermediates of all ages.
This hymn expresses the suffering Christ went through on the cross and goes to the hope we have because of his sacrifice. Stricken, Smitten and Afflicted with its beautiful minor melody is arranged here by Sandra Zylstra for intermediates.
Soul Searching, composed by Jenny Walker, is a pop-style lyrical solo for intermediates. This piece offers ample opportunity for pianists to work on flowing left-hand accompaniments and syncopation.
Wild Beauty, composed by Jenny Walker, is a haunting lyrical solo for intermediates that reflects the beauty of the wilderness. This piece offers ample opportunity for budding pianists to work on flowing left-hand accompaniments and rubato.
This is a free-flowing piece with elements taken from the Scottish folk song ‘Mairi’s Wedding’ which then develop into a unique melody which pervades the rest of the work. It starts innocuously, with some off-beat chords in the left hand whilst the right plays the tune and develops into a more regularly metered, dance section. The wedding gains momentum and an element of Irish cheek is heard throughout. A lovely piece for all to enjoy.
Pearls by Jenny Walker is a beautifully lyrical gem of a piece, and forms a delightful intermezzo. Its simplicity and expressiveness provides an emotional escapism for intermediate players. The main harmony base fluctuates between minor and major keys, creating a beautiful melody which itself is merely a simple motif.
Glad Rags by Jenny Walker is a catchy, modern ragtime duet that fluctuates between minor and major keys. The second provides the main rhythmic drive whilst the primo part has long, single notes and syncopated snippets. This showcase duet serves as a fun introduction to the ragtime style.
Capture the Moment is lyrical pop-style solo for intermediates composed by Heather Nanney. With its intriguing melodic lines, this is a great recital piece for all ages.
Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!