Something Wicked This Way Strides

Something Wicked This Way Strides is an exuberant, late intermediate solo that evokes the Roaring Twenties. Pianists will not only train their left hand to play typical stride leaps, they’ll also learn a few tricky bits of Chopin’s <em>Etude in A Minor, Op. 10, No. 2</em>, while they’re at it!

Double Trouble is a book of unique duets by Stacy Fahrion. This book gives pianists opportunities to experiment with blues improvisation and extended techniques. It includes showy pieces in odd meters, several wild boogies, a melancholy lyrical waltz, and, of course, a tarantella that has Itsy Bitsy Spider surreptitiously woven into it. Most of the pieces are based in minor keys, modal, or use the double harmonic major scale.

Under the Big Top is a fast and flashy, circus-themed showcase duet for advanced level pianists by Canadian composer Lisa Frederick.

Beethoven’s familiar two-note theme is used throughout this evenly-leveled piano duet by Dolce Dolls team Marcia Benson and Heidi Hansen in unexpected ways. This showcase piece is ideal for early intermediates and up.

Minor Blues for Two by Stacy Fahrion gives the first pianist an opportunity to improvise over a 12-bar blues progression. If played on a grand piano, the pianist can also mute strings inside the piano for an interesting change of tone color.

A Minor Mystery is a fast and flashy Latin-style duet for two intermediates that will be a hit at your next recital! Music composed by Jennifer Eklund.

Glass Houses by Amanda W. Smith is a mysterious sounding, video-game style duet for two beginners in the key of C minor.

Dark to Light is a fast and flashy evenly-leveled duet for two early intermediates. Music by Jennifer Eklund.

Spooky Goings On, composed by Jenny Walker is an evenly-leveled duet for two intermediate players. There is no key change, merely the requirement to maintain a slowish, steady beat, provided mainly by the secondo player. Whether it’s ghosts, witches, or spiders that come to mind, this piece will be enjoyed by students and teachers alike.

Barrelhouse Blues is an evenly-leveled, boogie-woogie style piano duet by Canadian composer Lisa Frederick. This joyful romp is ideal for intermediates of all ages and is sure to be full-time fun at your next recital!

Double Crossed composed by Chrissy Ricker is a minor-key evenly-leveled duet for early intermediates. This is an extended version with a run time just over two minutes, making it a perfect selection for ensemble performances.

Three Prayers consists of three short engaging movements for 2 pianos, 8 hands, by Lisa Donovan Lukas. This is a melodic, contemporary showcase piece for late intermediate students. Ideal for teens as well as students of all ages who enjoy playing duets and ensemble pieces at group lessons and recitals.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Knock, Knock, Knock! is an evenly-leveled duet for late-beginners by Chrissy Ricker. This piece is sneaky, jazzy fun for all ages! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Spin My Web is a vexing and spooky, evenly-leveled duet for two late beginners. Composed by Chrisanne Nahum, this student-favorite, remains primarily in 5-finger position as the two parts weave together to spin an intricate web of sound! This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Spooktacular is an upbeat, minor-key jazz solo with teacher duet that incorporates finger snaps throughout. This piece is ideal for beginners of all ages and can be taught by note or rote.