Three Prayers

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor for two composed by Stacy Fahrion.

Under the Big Top is a fast and flashy, circus-themed showcase duet for advanced level pianists by Canadian composer Lisa Frederick.

Long Road Home is an intermediate level lyrical duet ideal for students of all ages. Music composed by Jennifer Eklund.

To Raise the Wind Horse is a piece for one piano, four hands by Lisa Donovan Lukas, originally premiered at Daniel Pearl World Music Days. A spirited, contemporary showcase piece, this is an ideal performance piece for late intermediate/early advanced students who enjoy playing duets!

This slightly sinister stride duet by Stacy Fahrion incorporates a few simplified snippets of Chopin’s Etude in A Minor, Op. 10, No. 2.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Romance in D Flat, composed by Rick Robertson, is an elegant solo for late-intermediate and early-advanced-level lyrical pianists of all ages. It is an appropriate repertoire piece for recitals, contests, and festivals.

Barrelhouse Blues is an evenly-leveled, boogie-woogie style piano duet by Canadian composer Lisa Frederick. This joyful romp is ideal for intermediates of all ages and is sure to be full-time fun at your next recital!

Wistful Waters is a late-intermediate to early-advanced piano work composed by Travis Lohmann. It merges together minimalistic styles as well as elements of French Impressionism, while still focusing on lyrical phrasing and robust melodies. It is a wonderful work with a shimmering beginning, a vigorously emotional middle, and a tempestuous ending. Students will absolutely be enraptured by the ending cadenza. Teachers will enjoy instructing students on various techniques such as: hand-crossing, polyrhythms, rhythmic evenness, and even tremolo!

Nuances by Jenny Walker is a collection of ten contemporary lyrical pieces depicting the beautiful things in life and reminiscent of childhood. Gazing up at the clouds, making time for a little play, daydreaming and staring in wonder at nature all provide a welcome diversion from the world’s troubles. They are written for the late-intermediate pianist and contain subtle harmonies and textures.

Prelude-Arabesque, composed by Rick Robertson, is an intermediate-level lyrical solo. There are two themes, one more harmonic (broken chords), and one more lyrical.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Arietta, composed by Rick Robertson, is a late-intermediate-level lyrical solo. Its plaintive melody over a rich harmonic palette appeals to pianists of all ages.

Inspired by the rowdiness and excitement of a big Texas get-together, Up On the Housetop is as much fun to play as it is to hear! This new duet by Paul Sweet is great for late-intermediates and up.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.