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Scary Movie, by Rick Robertson is an early intermediate level showcase solo, inspired by the beloved “Ballade” by Burgmüller. In addition to being an excellent seasonal Halloween selection, it will help the young player develop technical skills, all wrapped up in less than a minute of fun!

Skedaddle Rag by Rick Robertson is an intermediate level showcase solo in a Ragtime style. It has major “hit potential” as a recital or festival selection.

Rain is Falling, composed by Rick Robertson, is an early intermediate level solo in a flashy Impressionistic style. It is very effective in performance, and its highly-patterned writing is easy to learn, and sounds more difficult than it is.

Who doesn’t love gummy bears? Gummy Bear Shuffle, composed by Rick Robertson, is an intermediate level solo in a playful shuffle style. Its bouncy rhythms make it fun to listen to and play. It also could be used as a “non-scary” Halloween piece, or for any performance occasion.

Five-Speed! by Rick Robertson is an intermediate level showcase solo in a rhythmic contemporary style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Misty Rain, composed by Rick Robertson, is an early intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.

A Brighter Day, composed by Rick Robertson, is an intermediate level solo in an inspirational lyrical style. It is very effective in performance, and its uplifting mood makes it an excellent repertoire choice for a developing pianist.

Chalumeau, composed by Rick Robertson is a late-intermediate level solo in a neo-Romantic lyrical style. It is inspired by the “chalumeau” register of the clarinet, with its low, rich tones (named after a reed instrument that preceded the clarinet). The melody lies close to the middle of the keyboard, and the accompaniment moves above and below it, giving an opportunity to work on voicing and balance.

Winter Dreams, composed by Rick Robertson is an early intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist, regardless of the season.

Yee-Haw!, composed by Rick Robertson, is an early-intermediate-level showcase solo. It is inspired by “barn dance” or “square dance” music, and adds a touch of Americana to any recital program. It is a definite pupil saver and motivator and could also be used in “costume recitals” when a spooky costume is not desired.

Bittersweet, composed by Rick Robertson is an intermediate-level solo in a neo-Romantic lyrical style. The melody features a slight rhythmic lilt, and there is an added surprise of a key change at the end. It will make an excellent recital choice for the growing performer.

Day is Done, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. A slow-moving theme with harmonic richness contrasts with a middle section that presses forward, returning to the first theme for a conclusion. This is appropriate for recital or festival, in addition to worship services as a prelude or offertory.

Where There Is Love, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It has a brief contrasting section, bringing the first theme to a climax before it subsides. It is also suitable for worship use.

Toccata Lyrica, composed by Rick Robertson is an intermediate level showcase solo in a flashy, but lyrical style. It is very effective in performance, and makes an excellent recital or festival choice for a developing pianist.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Un Souvenir, composed by Rick Robertson, is a left-hand only intermediate solo in a neo-Romantic lyrical style. Besides the benefit as a “pupil saver” for pianists with right-hand injuries, it gives any performer the opportunity to work on balancing melody and accompaniment in the same hand, and use of pedal to tie the texture together. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist.

Summer Evening, composed by Rick Robertson, is an early intermediate level solo in a light-jazz lyrical style. It is highly patterned, easily learned, and makes an excellent performance choice.

Open My Eyes, That I May See by Rick Robertson is an early-advanced level arrangement of the beloved American hymn tune by Clara Harriett Scott. It is useful for recital or worship use.

Composer Stacy Fahrion interweaves Hickory Dickory Dock and snippets of For He’s a Jolly Good Fellow into this whimsically macabre solo that will delight late intermediates of all ages.

Riding the Wave is an easy rock-style solo for late elementary and early intermediate students composed by Sarah Reaser O’Brien. They will enjoy the easy mastery of the recurring bass pattern and have fun with the difficult-sounding eighth-note passages in the right hand. Great for students currently working late in the Piano Pronto Prelude method book or early in Piano Pronto Movement 1.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.

This is a rock-style, funky piece with a Celtic-like melody and snatched right hand chords. The dotted rhythm in the left hand provides a drive throughout. There is a contrapuntal section where the right hand plays the melody along with a similar one in the left, possibly the hardest part of this work. It is great fun to play, in a true flashy showcase style.