Londonderry Air

Based on the traditional English folk song and nursery rhyme, “Lavender’s Blue,” this delightful arrangement by Jenny Walker adds unexpected harmonies and key changes. The march-like 4/4 section gives a new, sombre feel which quickly gives way to a brighter, more flamboyant ending.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

Ah, Capella! is a dream-like piece by Debbie Center, inspired by gazing at Capella, one of the brightest stars in the northern sky. Its lush jazz chords fit easily in the hands.

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Aloha Oe (Farewell to Thee), arranged in a lyrical style for late intermediate piano by Jennifer Eklund.

Blow the Wind Southerly is a traditional folk song from Northumberland, England arranged by Jenny Walker. Another familiar melody, “When the Boat Comes In” is combined with the main theme in the middle of the piece. The work tells the story of a woman desperately hoping for a southerly wind to blow her lover back home over the ocean to her. This is a variation-style piece going through several keys, suitable for the late-intermediate pianists.

This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Keep the Change is a lyrical jazz waltz in B minor with a written out improvisation. Great as a launching point for intermediates into jazz studies.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Portrait No.2, Spirited Castle is a late intermediate solo composed in the likes of Joe Hisaishi. Students will enjoy the bright and upbeat jazz waltz feel, soaring melody, as well as exploring scintillating quartal harmonies in left hand accompaniment. This piece is perfect for openers or dramatic finishes at recitals, festival solos, and more!

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Romance in D Flat, composed by Rick Robertson, is an elegant solo for late-intermediate and early-advanced-level lyrical pianists of all ages. It is an appropriate repertoire piece for recitals, contests, and festivals.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!