Long-Legged Spinners

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

This piece starts out mostly normal, staying close to Stephen Foster’s piece, but then something goes awry and it ends up in the parallel minor. Music by Stacy Fahrion.

Moonlight Nocturne is a haunting intermediate lyrical solo composed by Lisa Shoemaker. This elegant work is ideal for students who love to play with passion and a touch of drama!

Wayward Blackbird interweaves Chopin-esque basslines with familiar nursery rhymes This Old Man and Sing a Song of Sixpence in this whimsically macabre showcase solo by Stacy Fahrion.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.

Itsy Bitsy Tarantula is a slightly more disturbing version of Itsy Bitsy Spider composed by Stacy Fahrion. This piece is ideal for intermediates.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.

Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.

Linguine Tarantella, by Rick Robertson, is an intermediate level showcase solo. Written in the style of the Neapolitan Tarantella, its exciting dynamic changes and a cascade of flying octaves at the end will make this a showstopper for recital or festival.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

This wistfully whimsical piece by Stacy Fahrion expresses The Farmer in the Dell’s unrequited love for Adele. Ideal for intermediates of all ages.