The Eternal Spectator

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

What defines a Halloween piece, other than a piece in a minor key with an eerie title? Inspired by the whimsically macabre words of Edward Gorey, this piece by Stacy Fahrion beckons you into a haunting waltz that defies convention with its 5/8 time signature. It offers rhythmic twists that promise to challenge and enchant late intermediate pianists, turning their practice into a ghostly dance of mystery at the keys. This piece is part of the “These Are Odd Times” songbook.

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

This piece was inspired by a breathtaking midnight kayak ride on our lake in northern Minnesota. It was my birthday, and the water was completely still, beautifully reflecting every star as well as the rising Super Moon.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

The Lovelorn Lobster is a song from 1897 with words by Joseph W. Herbert. Stacy Fahrion wrote her own original whimsically macabre music to the poignant lyrics about love between a lobster and a piscatorial maiden going terribly awry. A timeless, classic theme for Valentine’s Day, or any occasion!

Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.

In Harmony All Ways features nine ambient, lyrical solos by composer Debbie Center. These soothing piano reflections inspired by Minnesota’s Lake Country will provide enjoyment for intermediate to advanced pianists of all ages.

Isolation was written in early 2020 by Stacy Fahrion. This expressive intermediate piece begins and ends in 5/4, and features palindromic rhythms (rhythms that are the same backwards and forwards) and a gentle two against three polyrhythm in the middle section.

Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Composer Stacy Fahrion interweaves Hickory Dickory Dock and snippets of For He’s a Jolly Good Fellow into this whimsically macabre solo that will delight late intermediates of all ages.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Composer Stacy Fahrion transforms Three Blind Mice, Itsy Bitsy Spider, and a snippet of Rain, Rain, Go Away into a mystical minor showpiece.