Regrets

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Return Home, composed by Rick Robertson, is an intermediate lyrical solo that has much potential as recital or service music.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Summer Sunset, composed by Sara Tomlinson, reflects an ending of something beautiful. The melody swirls throughout the piece as rich layers are added through arpeggios in the left hand. This lyrical solo is ideal for intermediates of all ages.

Dark Waters, composed by Jennifer Eklund, is a haunting lyrical waltz for early intermediates and up.

October is an intermediate new age piece by Sarah Reaser O’Brien, NCTM. The constantly moving triplet figures in both hands are meant to evoke the swirling motion of colorful autumn leaves blowing about in the breeze. Rather than centering on a traditional melodic line, October allows students to create a mood or effect by experimenting with dynamic inflection and rubato to vary each performance. Dynamic indications in the score are merely suggestions – performers are meant to make this free-flowing piece their own.

Introspection, composed by Rick Robertson is an intermediate level ambient solo with a mature sound. An opening lyrical, chordal section contrasts with a middle section featuring displaced accents. It also gives the performer an opportunity to experience the key of E-flat minor in a less intimidating setting.

Sky, composed by Chrissy Ricker, is an elegant lyrical solo for intermediates. This piece is part of the “Three Sketches in Blue” suite that is included in the Rhapsodies and Reveries Volume Two songbook.

Waiting Is…, composed by Ron Levy, is an elegant lyrical solo for intermediate and beyond. This peaceful solo serves as a great exercise for players to explore rubato and lyrical phrasing.

Ocean, composed by Sara Tomlinson, is a showcase lyrical solo for intermediates. This piece is part of the Creation Collage songbook.

Finding My Way, composed by Rick Robertson, is an intermediate-level reflective solo. It is a study in broken chords, modulations, and tension/release. This lyrical selection will appeal to pianists of all ages.

Imagination is an upbeat, lyrical solo by Sara Tomlinson. The opening features contrary motion between the hands, followed by lyrical and driving sections. If you or your student enjoy music with life and movement, this piece is for you!

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

By the River, by Rick Robertson is an intermediate solo in a neo-Romantic lyrical style. Its gentle rocking in the left-hand accompaniment suggests the gentle flow of a river. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist and could also be used as service music.

Reflection is a lyrical solo by Sara Tomlinson with a reflective quality. The piece is in 6/8 time in the key of A minor. The listener could easily get lost in the melody, which is supported by a hypnotic left-hand accompaniment.

Wistfully, by Rick Robertson, is an intermediate level lyrical solo. It is written in a “romantic movie” style, and will make a nice brief recital solo, or as a musical interlude in a worship service.

Sheets of Glass is an ambient solo composed by Jane Tate. This minor-key showcase solo is a great way for intermediates to work on crossovers.

Misty Morning is a Satie-esque, reflective solo composed by Jennifer Eklund. Ideal for early intermediates of all ages, this piece offers a great opportunity to introduce students to the concept of rubato. This piece is part of the Shades of You songbook.