Intermezzo in E

Paper Airplane by Sara Tomlinson is an expressive and flowing piece at the late intermediate level. Students will find the chromatic scales and left-hand crossovers fun and impressive. Suitable for students for intermediates of all ages.

Something Reminiscent, by British composer Joanne Griffiths, has a reflective, lyrical melody over a repetitive, pattern based accompaniment with influences of Max Richter. Based around the C minor triad there are technical demands of evenness of touch and balance between hands, with a little left over right crossing for dramatic effect.

Valse Parisienne is a lyrical piano solo by Canadian composer Lisa Frederick. Inspired by Chopin’s Waltz in B minor, this waltz is ideal for intermediates of all ages and a great way to introduce the concept of rubato.

Tristesse, composed by Rick Robertson is an intermediate level lyrical solo. Its “nocturne” or “romance” style lends it to recital or festival performance, as well as in service playing.

Sun Suite, by Canadian composer Lisa Frederick, is a set of three contemporary lyrical solos celebrating the beauty of the sun at different points of the day. This set is ideal for intermediates of all ages and will function well as a set or as separate showcase solos.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

This ethereal piece by Stacy Fahrion quietly subverts the meaning of the famous poem by Lord Byron. Ideal for intermediates of all ages.

Memories, by Rick Robertson is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It could also be used as wedding or service music.

Something on the Slide is a Satie-esque waltz composed by British composer Joanne Grifiths. The accompaniment is built on two positions, C and G, with octave leaps from the bass to the chord. Awareness of balance between the hands is needed for this, to bring out the melody.

Flutterbyes is an elegant, Chopin-esque waltz composed by Jane Tate. This showcase solo is ideal for intermediates of all ages!

Nocturne in G Minor, composed by Rick Robertson, is an intermediate-level lyrical solo. It serves well as an introduction to the Romantic period, especially the music of Chopin. There is even a short cadenza-type passage near the end.

Monday’s Child is a suite of seven character pieces, composed by Joanne Griffiths, based on the children’s traditional British fortune-telling poem “Monday’s Child.” It is contemporary in style, particularly influenced by Ludovico Einaudi and Arvo Part. The pieces are mainly light and gentle in mood with meditative patterns, sequences, imitation and repetition at the core and topped with lyrical melodies, portraying the character of each child for that day.

Masquerade is a whimsical lyrical waltz in B minor composed by Chrisanne Nahum. This piece is ideally suited for intermediates and will delight students of all ages!

Sky Castles, by Lisa Donovan Lukas, is a delightful, upbeat, lyrical showcase piece for the early intermediate pianist.

Space Waltz, composed by Ron Levy, is a delightful showcase solo for intermediates. This cinematic-style solo will serve as a great performance piece for recitals.

La Luna Canta, by Rick Robertson is an intermediate level lyrical solo. The melody, supported by a triplet figuration, suggests another famous “moon” piece and the Schubert Impromptu in G-flat, and both inspired this piece. It is an effective recital selection, and could be used in wedding preludes or even as a church offertory.

With an accompaniment inspired by the slow movement of Chopin’s Third Sonata, Ron Levy has composed a meditative piano solo with an enchanting melody in a stately setting. This intermediate level composition focuses on building and sustaining a long lyrical line over a steady, supportive left hand.