Longing

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

Beethoven’s iconic Moonlight Sonata in a modern lyrical spin arranged by Jennifer Eklund. This mild and mellow version is ideal for advanced level pianists.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

A playful intermediate level composition by Debbie Center. You’ll love the surprises as it echoes the call of the Song Sparrow and gets it dancing. Free nature play-along track included with purchase!

Wandering is a beautiful, intermediate lyrical solo by composer Lisa Shoemaker. Rubato style and an uplifting sound will make this a student favorite!

Goodnight, Sweet Dreams is a Composers Today award winning composition by Lisa Donovan Lukas. An inspirational contemporary lyrical showcase solo, ideal for the advanced student.

This book presents strategies for learning to play polyrhythms, from the most common ones, such as two against three, up through four against five. It contains rhythm exercises, improvisation suggestions, and thirteen pieces based on polyrhythms. Once you’ve worked with the book, you might develop intense cravings for more polyrhythms, and may even be inspired to compose polyrhythmic pieces of your own.

Questions, composed by Rick Robertson is a late intermediate lyrical solo. It has a haunting melody full of interesting harmonic turns.

Serious Moonlight, composed by Ron Levy, is a contemporary lyrical solo, inspired by Claude Debussy’s Clair de lune, for intermediates and late intermediates.

To the Sea, composed by Jenny Walker, is an evocative tone poem for piano solo, depicting morning mist, sea life (birds, crabs, seals), and gannets leading us to the majesty of the open sea. A beautiful piece for all maturing pianists of all ages at the late-intermediate level and beyond.

“Picking Marigolds” is a composition written by Travis Lohmann. It explores the use of contemporary harmonies, alternating meters, as well as chordal extensions. While still providing a simple and flowing melody, it is taken through a variety of transformations both harmonic and melodic. Students and teachers alike will enjoy picking apart the musical sequences scattered throughout the piece, as well as the overwhelming sense of serenity this piece brings. Definitely could be used as an interlude for a recital program, or even for social gatherings.

Imagination is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Portrait No.2, Spirited Castle is a late intermediate solo composed in the likes of Joe Hisaishi. Students will enjoy the bright and upbeat jazz waltz feel, soaring melody, as well as exploring scintillating quartal harmonies in left hand accompaniment. This piece is perfect for openers or dramatic finishes at recitals, festival solos, and more!

Rain is a pensive lyrical style showcase piano solo for late intermediate pianists. New Age meets Baroque, contemporary styling with elegant contrapuntal touches.

Intermezzo in B Flat Minor, composed by Rick Robertson, is an late-intermediate level Romantic lyrical piano solo. It appeals to pianists of all ages, and is suitable for recital and audition use.

Picking Daisies, composed by Travis Lohmann, is a light-hearted and jovial jazz-influenced waltz appropriate for mid-intermediate to advanced pianists, and focuses on such concepts as: cantabile legato lines, syncopated rhythms, dynamic expressivity, left and right hand leaps, triplet passage work and rolled chords. Best suited as a showcase solo, the highlight of this piece is the written-out solo over the chord changes, sure to dazzle the audience. With dexterous phrases, catchy melodic segments, and infectious rhythms, this piece is certain to brighten your day and those nearby!