Memory Lane

Blow the Wind Southerly is a traditional folk song from Northumberland, England arranged by Jenny Walker. Another familiar melody, “When the Boat Comes In” is combined with the main theme in the middle of the piece. The work tells the story of a woman desperately hoping for a southerly wind to blow her lover back home over the ocean to her. This is a variation-style piece going through several keys, suitable for the late-intermediate pianists.

Three Eagles’ Spirit, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

Intermezzo in B Flat Minor, composed by Rick Robertson, is an late-intermediate level Romantic lyrical piano solo. It appeals to pianists of all ages, and is suitable for recital and audition use.

Taken Aback is an elegant lyrical showcase solo for late intermediates composed by British composer Jenny Walker.

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

Portrait No.1, Definitive Road, is a solo composed in the harmonic and melodic tendencies of Thomas Newman. Students will enjoy exploring the mysterious yet emotional chord qualities of this piece, as well as the variations of the melodic theme. This mid-intermediate to advanced level solo by Travis Lohmann is perfect for recital programming, preludes, and more.

Guilty as Charged is a light-hearted contemporary lyrical solo ideal for late intermediate pianists. Words and music by Jennifer Eklund and part of the Dreamweaver songbook.

Daydreams is a showcase style lyrical piano solo composed by Lisa Frederick ideal for late intermediates of all ages.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

In his third installment of the Kaleidoscope series, composer Rick Robertson spins a web of evocative, elegant harmonies encapsulated within thirteen spectacular solos for advancing intermediates. This book contains selections for the NFMC Festivals Bulletin, 2020-2024.

Triumphant, composed by Jennifer Eklund, is an uplifting pop-style solo for late intermediates.

Clocks by Joanne Griffiths has a contemporary feel with echoes of Philip Glass. Control, balance and concentration will be needed to maintain the 2 against 3 cross rhythms. Ideal for intermediates of all ages!

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Goldeneyes’ Farewell is a gorgeous impressionistic tribute to ten migrating Goldeneye ducks that Debbie Center photographed in front of her Minnesota lake home. Ideal for intermediate level pianists.