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Three Eagles’ Spirit, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

First Flower, composed by Ron Levy, is a meditative solo for intermediates, full of lush harmonies and a great exercise to introduce students to shifting meters and rubato. Cover photography from Back Bay, Newport Beach by Ron Levy.

Lika’s Lullaby is a pensive, contemplative lyrical solo composed by Debbie Center. Full of rich harmonies and a lilting melody this piece is ideal for intermediates to work on rubato and expressive playing.

Song of the Northwoods Chickadees is a soothing, ambient lyrical composition by Debbie Center that features lilting bird calls throughout. This piece is ideal for intermediates of all ages.

Cheaha Skyline, by Rick Robertson, is an intermediate level lyrical piano solo, written in homage to his home state of Alabama. Cheaha Mountain, at 2,413 feet, is the highest point in Alabama.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Dance of the Loons, by Debbie Center, was inspired by the wail and tremolo calls of the loons on her northern Minnesota lake. The piano mimics the calls of the loons in this hauntingly beautiful tribute to Minnesota’s state bird. This piece is on Debbie’s CD entitled “In Harmony All Ways.”

Awkward Waltz is a tender, minor-key anthem for introverts composed by Stacy Fahrion. This contemplative gem will be a hit with teens and intermediates of all ages.

Lighthouse in the Fog, composed by Rick Robertson, is a late-intermediate level Impressionist lyrical solo. It is an appropriate repertoire piece for recitals, contests, and festivals.

This new lyrical solo from Ryan Chesser is perfect for sipping coffee at your window on wintry days. There are lots of opportunities here for expressiveness, rubato, and plenty of sparkly, crisp notes.

Lamentations is suite of solos composed by Joanne Griffiths for intermediate players to explore time signature changes, comparisons between simple and compound time, minimalism, and mostly how to express mood and emotion. Breathe is a peaceful, calming minimalist piece pushing the boundaries of 3/4 time and crossing it with more than a suggestion of 6/8. For Carolyn is an uplifting piece with lilting, contrasting themes, in Rondo form. Finally, Sorrow is an expression of grief, with a “bell tolling” theme throughout. It is also minimalist, centered around A minor and changing from 3 to 4 beats in the bar and covering several octaves of the piano.

Beside Still Waters, composed by Rick Robertson, is an intermediate level lyrical solo with a mature sound. The rhythmic shifts and harmonic blends add to the effect.This piece is equally suited for recital or worship use.

This piece was inspired by a breathtaking midnight kayak ride on our lake in northern Minnesota. It was my birthday, and the water was completely still, beautifully reflecting every star as well as the rising Super Moon.

Ruby Skies is an uplifting contemporary lyrical solo, for late intermediates and beyond, composed by Jennifer Eklund. This solo makes for a lovely recital selection or as music in church services.

In Harmony All Ways, composed by Debbie Center, combines gorgeous harmonies with ambient dissonance, resulting in a hauntingly beautiful solo for intermediates of all ages.

Peaceful Slumber, composed by Jenny Walker, is an elegant lyrical solo for intermediates that serves as an excellent introduction to playing in 5/8 time.

Calm, composed by Jenny Walker, is a peaceful meditative solo for intermediates. The left hand provides a gentle, rocking accompaniment, much of which is in the treble clef. The mood is fairly constant throughout and there is room for some rubato when the left hand reach increases towards the middle of the work.