Daytime Dreamin’

Hold On is a lyrical pop solo ideal for intermediate pianists of any age. Music composed by Jennifer Eklund and part of the Dreamweaver songbook.

By the Frozen Mill Pond by Gary Johnston is a wistful piano solo for early intermediates of all ages. This elegant, introspective melody, conjures up images of a frosty day on a frozen pond.

March is a gentle lullaby for intermediate pianists by Sarah Reaser O’Brien, NCTM. The melodic line is brought to life by a hauntingly complex, yet very accessible, harmonic accompaniment which never requires stretching more than an octave.

Mystery and uncertainty are just around the corner with this minor key solo by Ryan Chesser. This piece is great for teaching artistic expression and balance between hands. Your moody teenage students will love this expressive showcase solo!

Something Else, by British composer Joanne Griffiths, has a gently meandering melody over an accompaniment of two patterns, two chords and two time signatures. A little quirky lilt changing from 3/4 to 4/4 time will keep your students counting.

Vanished is a haunting, minor key, contemporary lyrical piano solo for intermediates. Music by Jennifer Eklund and part of the New Horizons songbook.

February is a syncopated tune in triple meter for intermediate pianists by Sarah Reaser O’Brien, NCTM. A lyrical variation replaces the principle theme in the second half of this minor piece. Students are not required to play a greater span than an octave in the left hand accompaniment, and the perpetual motion of the harmonic rhythm drives the sense of forward motion.

Love Is the Journey, is an uplifting lyrical solo composed by Lisa Donovan Lukas for intermediates. This pop-style solo includes lyrics and chord symbols providing a great opportunity for students to practice accompanying themselves as they sing along. This piece is part of the Sky Castles songbook.

This is a lyrical piano ballad in waltz time for intermediate pianists by Sarah Reaser O’Brien, NCTM. The melody is made almost entirely of ascending and descending pentascales (5-note scales) on white keys. The accompaniment for left hand requires a hand span primarily of melodic octaves with an occasional melodic tenth. The ternary form features a middle section with surprising harmonies and a deceptive cadence. Middle and high school students will find this piece both accessible and rewarding.

Brand New Day is a collection of twelve elegant intermediate and late-intermediate contemporary solos by Ryan Chesser. This go-to songbook will appeal to both amateur and professional pianists with works that will suit a variety of occasions and settings.

Sailing is an uplifting contemporary lyrical solo for intermediates that is also part of the New Horizons Songbook. Music by Jennifer Eklund.

Sky’s the Limit is an intermediate level contemporary lyrical solo by Jennifer Eklund. This piece is part of the Dreamweaver songbook.

May is a late intermediate pop-style solo with a broken chord accompaniment and singing contemporary melodic line. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

Dreamweaver is an uplifting contemporary lyrical solo that will be a hit with intermediates of all ages. Music by Jennifer Eklund. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

Journey’s End is a contemplative contemporary lyrical solo for intermediates that is also part of the New Horizons Songbook. Music by Jennifer Eklund.

Petite Reverie is a contemporary lyrical solo composed by Rick Robertson that will appeal to pianists of all ages. Full of lush harmonies and a sweeping melody this piece will suit any occasion including church services and weddings.

Keepin’ It Light is an energetic pop-style solo composed by Lisa Donovan Lukas that will be enjoyed by intermediates of all ages. This piece is part of the Enjoy the Ride songbook.

For many people, November is a month for giving thanks. This intermediate piece by Sarah Reaser O’Brien, NCTM, is a contemporary rendering of a hymn-like melody. November symbolizes a musical token of gratitude for family and friends who have been with us through good times and bad and with whom we love to spend our time. The ternary form offers an uplifting first section followed by a middle theme of more serious and reflective implication. The middle theme modulates into a return of the first in a new key, representing a triumphant overcoming of life’s struggles with the help of those we hold dear.