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Cookie Waltz has its origin in my very first composition, written while an undergraduate at Orange Coast College under the tutelage of Dr. Edith Smith. The original title, Mookwipp No. 1, seemed a bit strange in retrospect, so I transformed it thus: mook–> cook–>cookie…Cookie Waltz!

Toccata Staccata, composed by Rick Robertson is an intermediate level showcase solo. Its staccato parallel chords with a hint of Latin flavor give the advancing performer an exciting showpiece.

The Wellspring suite, composed by Jenny Walker, depicts the journey of a mountain stream, from its humble beginnings high up in the hills of County Down, all the way to its final destination where it flows into the sea. Within them are snippets of Irish style reels, jigs, and songs, resulting in a varied and beautiful collection for intermediates.

Chopin’s iconic Nocturne in F Minor, Op. 55, No. 1, remixed in a modern lyrical spin by Jennifer Eklund. This mild and mellow abridged version is ideal for intermediate level pianists.

If You Believe, composed by Rick Robertson, is an intermediate level solo in a neo-Romantic lyrical style. It is very effective in performance, and makes an excellent repertoire choice for a developing pianist. It can also be used in wedding or service playing.

Chanson, composed by Rick Robertson, is an early intermediate-level lyrical solo. With its haunting melody and interesting harmonic turns this piece is useful for recitals, weddings, or church services.

The Ocean’s Fury, by Rick Robertson is an intermediate to late intermediate showcase solo. Written in the style of a “concert etude,” a section of rapid alternating-hand passages contrasts with a more lyrical center section. This piece has the added benefit of being less difficult than it looks or sounds, and should be a “hit” for recitals and festivals.

Toccata Lyrica, composed by Rick Robertson is an intermediate level showcase solo in a flashy, but lyrical style. It is very effective in performance, and makes an excellent recital or festival choice for a developing pianist.

Minuet in Gee! is a light-hearted ragtime spin on Beethoven’s classic Minuet in G. This solo, composed by Ron Levy, is ideal for intermediates of all ages. Cover photo is an original painting entitled “Dancers” by Carol Julien.

Zorro is a lively Spanish-style showcase solo composed by Sara Tomlinson. This early intermediate piece will make for an exciting solo at your next recital!

Insomniac’s Lullaby is a disturbing lullaby appropriate for Halloween or giving your parents strange nightmares. This whimsically macabre solo, composed by Stacy Fahrion, is ideal for intermediates.

This is a wistful waltz by Jenny Walker, with a slightly quirky melody and steady waltz-like base line. The middle section has a deeper, more self-assured feel and switches to the major key. The piece is to be played with extreme sensitivity, especially at the end when the marionette finally runs out of steam.

12-Toed Foe is a twelve-tone solo over a blues progression composed by Sarah Reaser O’Brien. This pieces serves as a great introduction to contemporary idioms and includes a glossary of terms and the twelve-tone matrix used in the piece.

Haunted Reverie, composed by Ron Levy, is a haunting lyrical solo, in the style of Erik Satie, for intermediates and beyond.

Something like Glass, written by British composer, Joanne Griffiths is a study in consistent and even playing of triplets in the right hand, with changing clefs in the left hand that explore the outer areas of the keyboard. Intermediates will enjoy the essence of Philip Glass that flows through this evocative solo.

Those Who See, But Are Not Seen is a melancholy solo for sad ghosts composed by Stacy Fahrion. This piece is ideal for intermediates of all ages.

Nebula, composed by Rick Robertson, is an intermediate level solo in a contemporary style, built entirely on the whole-tone scale on C. It gives the performer ample opportunity to explore different sonorities while working on touch and balance.

Once Upon a Time is a whimsically macabre solo composed by Stacy Fahrion that is part of the songbook of the same title. This eerie showcase piece is ideal for early intermediates and beyond.