Rock On! Volume 3

This combo deal includes Chrissy Ricker’s “Rock On Volume 3” and “Let’s Quest Volume 3” songbooks for intermediates.

Rockin’ the Classics is a collection of ten pop, rock, and jazz inspired arrangements of well-known classical favorites by Chrissy Ricker. These fun and flashy intermediate level solos will excite students of all ages!

The highly-anticipated follow up in Chrissy Ricker’s Rock On series is here! This collection of nine pop & rock showcase solos will delight intermediates of all ages in your studio.

Long Way Down, composed by Chrissy Ricker, is minor-key lyrical pop solo for intermediates. This piece is part of the Rock On! Volume 2 songbook.

Once Upon a Whimsically Macabre Time is a collection of intermediate piano solos centered around a theme of macabre stories and characters. In this collection, Stacy Fahrion displays a penchant for minor keys and dance-like rhythms.

Fading into Twilight is a mysterious, minor key, contemporary lyrical solo that will be a hit with intermediates of all ages. Part of the Dreamweaver songbook. This piece has been selected for the NFMC Festivals Bulletin, 2020-2024.

May is a late intermediate pop-style solo with a broken chord accompaniment and singing contemporary melodic line. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

Street Cat Strut, composed by Chrissy Ricker, is a sassy funk-style solo for early intermediates and up. This piece is part of the Cool Cats songbook.

Petite Reverie is a contemporary lyrical solo composed by Rick Robertson that will appeal to pianists of all ages. Full of lush harmonies and a sweeping melody this piece will suit any occasion including church services and weddings.

January is a high-energy showcase solo with an uplifting principle theme, dramatic middle section, and flashy ending. This is one of a set of 12 month-titled pieces by Sarah Reaser O’Brien, NCTM.

For many people, November is a month for giving thanks. This intermediate piece by Sarah Reaser O’Brien, NCTM, is a contemporary rendering of a hymn-like melody. November symbolizes a musical token of gratitude for family and friends who have been with us through good times and bad and with whom we love to spend our time. The ternary form offers an uplifting first section followed by a middle theme of more serious and reflective implication. The middle theme modulates into a return of the first in a new key, representing a triumphant overcoming of life’s struggles with the help of those we hold dear.

Doggone Blues is a bluesy showcase solo by Canadian composer, Lisa Frederick. This piece is ideal for late beginners and early intermediates of all ages!

Guilty as Charged is a light-hearted pop solo ideal for early intermediate pianists of any age. Music composed by Jennifer Eklund and part of the Spotlight Solos Volume 2 songbook.

Jabberwocky is a playfully galumphing late-intermediate solo in D minor with a lilting swing. Adventurous pianists can even sing the words to the famous nonsense poem by Lewis Carroll whilst they play this whimsical version by Stacy Fahrion.

The original version of this piece is part of the Once Upon a Time songbook.

Double Takes is a set of seven pairs of Rags and Blues, composed by Joanne Griffiths, and inspired by J.S.Bach’s Preludes and Fugues. Each pair is a study in contrasting styles, mood, rhythm, tempo, articulation, dynamic range and textures.

The collection progresses up the keyboard, through a range of keys beginning on C and ending with B, and covers many pedagogical techniques for an intermediate pianist whilst still remaining engaging and fun.

Something Else, by British composer Joanne Griffiths, has a gently meandering melody over an accompaniment of two patterns, two chords and two time signatures. A little quirky lilt changing from 3/4 to 4/4 time will keep your students counting.

February is a syncopated tune in triple meter for intermediate pianists by Sarah Reaser O’Brien, NCTM. A lyrical variation replaces the principle theme in the second half of this minor piece. Students are not required to play a greater span than an octave in the left hand accompaniment, and the perpetual motion of the harmonic rhythm drives the sense of forward motion.

Enjoy the Ride is a delightful collection of intermediate solos by Lisa Donovan Lukas featuring a variety of tonal centers and styles. These eleven selections are ideal for intermediates of all ages.