These Are Odd Times: Soundtrack

Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.

Recordings for the Whimsy & Wonder songbook by Stacy Fahrion.

Nice Little Monster is a bluesy piece by Stacy Fahrion about a creature that is tired of being called a little monster. Ideal for intermediates of all ages.

Double Trouble is a book of unique duets by Stacy Fahrion. This book gives pianists opportunities to experiment with blues improvisation and extended techniques. It includes showy pieces in odd meters, several wild boogies, a melancholy lyrical waltz, and, of course, a tarantella that has Itsy Bitsy Spider surreptitiously woven into it. Most of the pieces are based in minor keys, modal, or use the double harmonic major scale.

These Are Odd Times, by Stacy Fahrion, is a whimsically macabre collection of solos composed in odd meters. Rife with less common meters, shifting time signatures, and intricate contrapuntal textures, this collection provides a rewarding challenge for late-intermediate and advanced pianists.

Wistful Waltz, composed by Stacy Fahrion, is a mysterious, Chopin-esque waltz with a very un-Chopin-like modal middle section and an abundance of tritones. Ideal for early advanced level pianists of all ages.

Falling Slowly is a whimsically macabre lyrical solo composed by Stacy Fahrion. This solo is ideal for intermediates of all ages and is part of the These Are Odd Times songbook.

A hair-raising, haunting tarantella by Stacy Fahrion with an abundance of crunchy minor 2nds and a slower, nostalgic middle section.

In the Hall of the Mountain King arranged as a fast and flashy showcase duet for intermediates by Jennifer Eklund.

Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.

The Madison Suite, composed by Barbara Becker, is a three-movement set of character pieces for late intermediate pianists that spans a variety of genres and will showcase the artistic skills of developing artists.

This is a twinkly little whimsical piece in which composer Stacy Fahrion combines Twinkle Twinkle Little Star with Row Row Row Your Boat. This whimsically macabre showcase solo will delight intermediates of all ages!

The Exquisite Melancholy of Everything Left Unuttered is a delicate waltz in E minor composed by Stacy Fahrion. There is an optional cut notated in the score to accommodate students at a lower intermediate level.

Portrait No. 6: Apeñas Amigos is an Intermediate to Late Intermediate work- paying tribute to Brazilian composer Egberto Gismonti, and it combines elements of both Classical and Jazz idioms. A hauntingly lyrical melody plays throughout the beginning and end of the work, while students will also be exploring various angular sequences as well. Teachers will enjoy this work for its lush harmonic content, perpetual rhythmic drive, as well as teaching various articulations and how to handle various tempi.  Intertwined within this work is a brief section of frenetic chaos, as well as a jovial (and dissonant) left-hand melody, which is sure to give students a real workout!

Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.

Composer Stacy Fahrion transforms A Tisket, A Tasket and part of My Bonnie Lies Over the Ocean into a whimsically melancholy statement about the pain and inevitability of loss. On the Way I Lost It is ideal for intermediates of all ages.

Kensington Suite, composed by Barbara Becker, is a three-movement set of character pieces for late intermediate pianists that spans a variety of genres and will showcase the artistic skills of developing artists.

This is the first “Whimsically Macabre” composition Stacy Fahrion wrote, back in 2012. It begins with a quote from Chopin’s Winter Wind Etude, then segues into hints of a slightly menacing version of Do You Know the Muffin Man.