Sheet Music composed by Stacy Fahrion
Pernicious Pumpkin is a whimsically macabre concoction of nursery rhymes by Stacy Fahrion. This eclectic, minor-key gem will be a hit with teens and intermediates of all ages.
Digital Sheet Music
Pernicious Pumpkin (Digital: Single User)
Pernicious Pumpkin (Digital: Unlimited Reproductions)
|Method Book Match|
|Number of Pages||5|
About the composer
Stacy Fahrion writes in a style she calls “Whimsically Macabre.” Many of her compositions have been concocted from the remains of nursery rhymes. Her music has been described as “offbeat quirky seriously beautifully funny mischievously madly serious.” Stacy holds a Master’s degree in Piano Performance and Pedagogy from the University of Iowa, and teaches piano lessons in Denver. She enjoys performing at house concerts, and when she’s not conjuring up new pieces, she can usually be found hiking in the mountains.
This product is part of a collection
Whimsy & Wonder
Whimsy & Wonder features ten delightfully macabre solos for intermediates composed by Stacy Fahrion. These quirky, neoclassical twists on favorite nursery rhymes will delight pianists of all ages who are looking for unique performance pieces.
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Lullabies for Arachnophobes
Lullabies for Arachnophobes by Stacy Fahrion is a whimsically macabre collection written in homage of spindly spiders of all shapes and sizes. Rife with quirky rhythms, harmonies, and re-spindled versions of spidery classics, this collection will delight advanced players of all ages.
Waltz for a Six-Legged Octopus
Waltz for a Six-Legged Octopus by Stacy Fahrion begins whirling gently in 6/8 time, but the real hexapus waltzing starts when the piece shifts to 9/8. This waltz, ideal for intermediates, is for anyone who has ever felt like they’re missing something that everyone else has.
A Wise Old Owl
A Wise Old Owl is inspired by a nursery rhyme of the same title and set here as a whimsically macabre solo for intermediates by Stacy Fahrion. If you’re playing on a grand piano, before beginning the piece you can silently depress the low F octave and sustain it throughout with the sostenuto pedal for an added mysterious effect. This is an optional effect, and the piece still works well without it. The damper pedal is often left down for extended periods of time as well for a swirling effect.